Naked Lunch, Or, the Last Snapshot of the Surrealists

Myka Tucker-Abramson
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Abstract

Naked Lunch opens with drug use in Washington Square station and concludes with a drug deal gone. In between is a proliferation of shocking and lascivious scenes of drug use, deals, trafficking, and control, that travel from New York to Mexico to Tangier to the laboratories of Dr. Benway. Challenging readings that align Naked Lunch’s drug use with an aesthetics of shock, this chapter argues that drugs provide a lens through which the novel starts to map the new domestic and international geographies of US empire. This chapter argues that in linking together urban renewal projects at home and modernization and development projects such as Truman’s Point Four plan abroad, Naked Lunch focalizes the nascent political, economic, aesthetic, and psychological transformations that occur as a new system of US global hegemony was forged.
裸体午餐,或超现实主义者的最后快照
《裸体午餐》以华盛顿广场车站的吸毒事件开篇,以一笔毒品交易结束。在这两者之间,充斥着令人震惊和淫荡的吸毒、交易、贩运和控制的场景,从纽约到墨西哥,从丹吉尔到本威博士的实验室。这一章将《裸体午餐》中的毒品使用与一种令人震惊的美学结合起来,具有挑战性的阅读,认为毒品提供了一个镜头,小说通过这个镜头开始描绘美国帝国新的国内和国际地理。本章认为,在将国内的城市更新项目与现代化和发展项目(如杜鲁门在国外的第四点计划)联系起来的过程中,《裸体午餐》集中体现了随着美国全球霸权新体系的形成而发生的新生的政治、经济、美学和心理转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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