From Talented Poet to Jealous Wife: Reimagining Su Hui in Late Tang Literary Culture

NAN NÜ Pub Date : 2020-06-08 DOI:10.1163/15685268-00221p01
Qiaomei Tang
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Abstract

Su Hui was a late fourth century Chinese woman who is famed for her creation of brocade palindromic poems. Due to an account of her life story, attributed to the female emperor Wu Zetian, that highlighted her jealous disposition, Su Hui is remembered today primarily as a talented but jealous wife, which is in contrast with how she was viewed in the period prior to the Wu version. Tracing the genealogy of Su Hui’s narrative in pre-Tang and Tang literary and visual materials, this article demonstrates that the definitive version of Su Hui’s story is misattributed to Wu Zetian and, more importantly, that the image of this well-known figure of early medieval China underwent a transformation that reflects important aspects of Late Tang literary culture. In ‘boudoir lament’ poetry of the Southern Dynasties period, Su Hui is the stock image of a melancholy wife longing for her absent husband. In ‘frontier’ poetry of the Tang dynasty, she is a worrying wife concerned with her military husband fighting on the borderlands. It is in a Late Tang prose account misattributed to Wu Zetian that we finally see her as a jealous woman competing for her husband’s affections. The transformation of Su Hui’s image across three major literary genres over a period of half a millennium offers readers a window into the literary and cultural changes that took place in medieval China.
从才子到妒妻:晚唐文学文化对苏慧的再认识
苏慧是公元四世纪晚期的一位中国女性,她以创作锦缎回文诗而闻名。由于她的生活故事被认为是女皇帝武则天的故事,突出了她的嫉妒性格,所以今天人们对苏慧的印象主要是一个有才能但嫉妒的妻子,这与吴氏版本之前对她的看法形成了对比。本文通过对前唐、唐代文学和视觉材料中苏晖叙事的谱系进行追溯,证明了苏晖故事的最终版本被错误地归为武则天,更重要的是,这个中世纪早期中国著名人物的形象经历了转变,反映了晚唐文学文化的重要方面。在南朝时期的“闺房哀歌”中,苏慧是一个忧郁的妻子思念她不在身边的丈夫的形象。在唐代的“边疆”诗中,她是一个忧心忡忡的妻子,担心她的军夫在边疆作战。在一篇被误认为是武则天写的晚唐散文中,我们终于看到了武则天是一个嫉妒丈夫的女人。半个世纪以来,苏晖的形象在三大文学流派之间的转变为读者提供了一个了解中世纪中国文学和文化变化的窗口。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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