what is the future of TV antiquity?

Sylvie Magerstädt
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引用次数: 0

Abstract

To conclude the exploration of sixty years of TV antiquity, this final section draws out some of the key aspects that run through the shows discussed in the book, such as the importance of serialisation and later syndication and collaboration in the development of TV antiquity; the new heroic ideal developed in these shows, combining domesticity and politics; and the marginalisation of religious practice in many of the programmes discussed. In addition, the conclusion also briefly examines the most recent shows such as Olympus (2015), Britannia (2017) and Troy: Fall of a City (2018) and suggests some of the possible directions for TV antiquity. Here, the most notable developments are a greater blend of history, myth and fantasy as well as the blurring of boundaries between documentary and fictional drama.
电视古董的未来是什么?
为了结束对六十年电视古代的探索,最后一节引出了一些贯穿书中讨论的节目的关键方面,例如系列化的重要性,后来的辛迪加和合作在电视古代的发展中;新的英雄理想在这些电视剧中发展起来,将家庭生活与政治结合起来;在许多讨论过的节目中,宗教活动被边缘化。此外,结论还简要考察了最近的节目,如奥林巴斯(2015),不列颠尼亚(2017)和特洛伊:一座城市的沦陷(2018),并提出了一些可能的电视古代方向。在这里,最引人注目的发展是历史、神话和幻想的更大融合,以及纪录片和虚构戏剧之间界限的模糊。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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