The conservation of a scrap screen from Carlyle's House, London

C. Gaskell
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引用次数: 2

Abstract

Summary This article describes the extensive conservation work carried out on a four-panelled folding screen covered in 442 prints, drawings and watercolours with a decorative border. The screen was made in 1849 by Jane Carlyle and was from the Carlyle's House in Chelsea, London, a National Trust property. All the components of the screen covering were severely degraded, making local repairs impractical. Therefore, after extensive record taking, the coverings were removed from the wooden frame and the panels built up again using conservation quality materials and including a panel of low density polyethyline foam in the central void of each frame for extra protection. Treatment of the paper items included varnish removal; washing; repairs to tears, punctures and missing areas; before they were replaced on the new panels. The degraded embossed leather covering the edges was also replaced with new leather. Consideration is given to options for sizing and re-varnishing, before reverting to using the traditional materials of gelatine and dammar resin.
伦敦卡莱尔之家废弃屏风的保护
这篇文章描述了对一个四板折叠屏风进行的大量保护工作,该屏风上有442幅版画、素描和带有装饰边框的水彩画。这幅屏风由简·卡莱尔(Jane Carlyle)于1849年制作,出自位于伦敦切尔西的卡莱尔故居,属于国家信托财产。屏幕覆盖的所有部件都严重退化,使局部维修变得不切实际。因此,在进行了大量的记录后,从木框架上移除覆盖物,并使用保护质量的材料重新构建面板,并在每个框架的中央空隙中使用低密度聚乙烯泡沫板,以提供额外的保护。纸张物品的处理包括去除清漆;洗;修复撕裂、穿刺和缺失部位;在它们被替换到新面板之前。退化的压花皮革覆盖的边缘也取代了新的皮革。在恢复使用明胶和达玛树脂的传统材料之前,要考虑上浆和重新上光的选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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