Without Words

Sarah MacKenzie-Dawson
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Abstract

Our ways of seeing, of being, of knowing in the world are shaped by relationship. These relationships reflect the complex dynamic that exists as we navigate between the living layers of human nature, desire, loss, connection and disconnection, certainty and uncertainty. Across the space of this piece, I seek to breathe, to move with observant awareness through emotion and cognition. I want to acknowledge the deep sense of absence that reverberates across my consciousness, an absence that is both spiritual and etymological. This absence reflects the complexity of my subjectivity as a mother, an educator, one who navigates within the narrative of colonization, and a synchronicity of spirit that transcends self. It is through the breath that I find myself in rhythm, connected to the land—spirit, (be)longing with/in (un)certainty. Poetry, prose, and photographs intermingle upon the pages, offering an assemblage of being, of (un)knowing, of breathing amidst (im)permanence. This work creates space for me to better know myself as scholar, teacher, mother—as one who lives upon a stolen, sacred landscape, while creating openings for dialogue, disruption, and praxis.
没有话说
我们观察、存在和认识世界的方式是由关系塑造的。这些关系反映了我们在人性、欲望、失去、联系与分离、确定与不确定的生活层面之间导航时存在的复杂动态。在这件作品的整个空间里,我试图通过情感和认知来呼吸和移动观察意识。我想承认在我的意识中回荡的深深的缺席感,一种精神上和语源上的缺席。这种缺失反映了我作为一个母亲、一个教育者、一个在殖民叙事中航行的人、以及一种超越自我的精神同步性的主体性的复杂性。正是通过呼吸,我发现自己处于节奏之中,与大地的精神相连,满怀确定的渴望。诗歌、散文和照片在书页上交织在一起,提供了一种存在、一种认识、一种在永恒中呼吸的组合。这项工作为我创造了空间,让我更好地了解自己作为学者、教师、母亲的身份——作为一个生活在被偷走的神圣景观上的人,同时为对话、破坏和实践创造了空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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