Bodily Dasein and Chinese Script Components

Kwan Tze-wan
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引用次数: 1

Abstract

Abstract In the Shuowen, one of the earliest comprehensive character dictionaries of ancient China, when discussing where the Chinese characters derive their structural components, Xu Shen proposed the dual constitutive principle of “adopting proximally from the human body, and distally from things around.” This dual emphasis of “body” and “things around” corresponds largely to the phenomenological issues of body or corporeality on the one hand, and lifeworld on the other. If we borrow Heidegger’s definition of Dasein as Being-in-the world, we can easily arrive at a reformulation of Xu Shen’s constitutive principle of the Chinese script as one that concerns “bodily Dasein.” By looking into various examples of script tokens we can further elaborate on how the Chinese make use not only of the body in general but various body parts, and how they differentiate their life world into material nature, living things, and a multifaceted world of equipment in forming a core basis of Chinese characters/components, upon which further symbolic manipulation such as “indication”, “phonetic borrowing”, semantic combination, and “annotative derivation”, etc. can be based. Finally, examples will be cited to show how in the Chinese scripts the human body (and its parts) might interact with other’s bodies (and their parts) or with “things around” (whether nature, living creatures, or artifacts) in various ways to cover the social, environmental, ritual, technical, economical, and even intellectual aspects of human experience. Bodily Dasein, so to speak, provides us with a new perspective of understanding and appreciating the entire scope of the Chinese script.
本体本体与汉字组件
在中国古代最早的综合性汉字词典《说文》中,徐申在探讨汉字的结构成分来源于何处时,提出了“近取人体,远取周围物”的二元构成原则。这种对“身体”和“周围事物”的双重强调,一方面很大程度上对应于身体或肉体的现象学问题,另一方面对应于生活世界。如果我们借用海德格尔对“在世界中存在”(Being-in-the world)的定义,我们可以很容易地将徐慎的中国文字构成原则重新表述为“身体的在”。通过观察各种文字符号的例子,我们可以进一步阐述中国人如何不仅使用身体,而且使用身体的各个部位,以及他们如何将自己的生活世界区分为物质自然、生物和多方面的设备世界,从而形成汉字/组件的核心基础,并以此为基础进行进一步的符号操作,如“指示”、“语音借用”、语义组合和“注释派生”等。最后,将引用例子来展示在中国剧本中,人体(及其部位)如何以各种方式与他人的身体(及其部位)或“周围的事物”(无论是自然、生物还是人工制品)相互作用,以涵盖人类经验的社会、环境、仪式、技术、经济甚至智力方面。可以说,“身在”为我们提供了一个理解和欣赏整个汉字范围的新视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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