sexuality, textual representation of

M. Skinner
{"title":"sexuality, textual representation of","authors":"M. Skinner","doi":"10.1093/acrefore/9780199381135.013.8089","DOIUrl":null,"url":null,"abstract":"The basic dominance-submission model of sexual relations, involving a hierarchical distinction between the active and passive roles, was the same in Greek and Roman cultures and remained unchanged throughout classical antiquity. However, we find subtle modifications reflected in the literary tradition from the Homeric age to imperial Rome. In Homer and Hesiod, heterosexual relations are the only recognized form of sexual congress, and consensual sex is mutually pleasurable. Forced sex, in the form of abduction and rape, also occurs in epic narrative. Pederasty became a literary theme in Greek lyric poetry of the archaic age. In classical Athens, discourses of sexuality were tied to political ideology, because self-control was a civic virtue enabling the free adult male householder to manage his estate correctly and serve the city-state in war and peace. Tragedy illustrates the dire impact of unbridled erōs, while comedy mocks those who trespass against moderation or violate gender norms, and forensic oratory seeks to disqualify such offenders from participating in government. Philosophical schools disagreed over the proper place of erōs in a virtuous life. While pederastic relations dominated discussions of love in philosophic works, romantic affairs between men and women received greater attention in Hellenistic poetry, in keeping with an increased emphasis on shared pleasure and reciprocal emotional satisfaction. During the late Republic and the Augustan age, Roman authors incorporated erotic motifs from archaic lyric and Hellenistic epigram into their own first-person love poems. The genre of love elegy, in which the poet-lover professes himself enslaved to a harsh mistress, became widely popular during Augustus’ reign but disappeared shortly thereafter. Meanwhile, Lucretius’ didactic epic On the Nature of Things, and Vergil’s Aeneid, a heroic account of the founding of Rome, both treat erotic obsession as destructive. In the Imperial period, elite anxieties were displaced onto concerns about gender deviance on the part of males and females alike: the figures of the cinaedus and the tribas were castigated in moralizing poetry, especially satire and satiric epigram. Roman novels focused upon the sexual escapades of marginal displaced types. Under Roman rule, on the other hand, Greek literature saw a new flowering in the Second Sophistic movement. While pederasty remained a favorite subject, hotly championed against heterosexual relations in prose treatises, the Greek novel explored a new model of heterosexuality in which premarital chastity and mutual fidelity appear to anticipate later Christian values.","PeriodicalId":272131,"journal":{"name":"Oxford Research Encyclopedia of Classics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oxford Research Encyclopedia of Classics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/acrefore/9780199381135.013.8089","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The basic dominance-submission model of sexual relations, involving a hierarchical distinction between the active and passive roles, was the same in Greek and Roman cultures and remained unchanged throughout classical antiquity. However, we find subtle modifications reflected in the literary tradition from the Homeric age to imperial Rome. In Homer and Hesiod, heterosexual relations are the only recognized form of sexual congress, and consensual sex is mutually pleasurable. Forced sex, in the form of abduction and rape, also occurs in epic narrative. Pederasty became a literary theme in Greek lyric poetry of the archaic age. In classical Athens, discourses of sexuality were tied to political ideology, because self-control was a civic virtue enabling the free adult male householder to manage his estate correctly and serve the city-state in war and peace. Tragedy illustrates the dire impact of unbridled erōs, while comedy mocks those who trespass against moderation or violate gender norms, and forensic oratory seeks to disqualify such offenders from participating in government. Philosophical schools disagreed over the proper place of erōs in a virtuous life. While pederastic relations dominated discussions of love in philosophic works, romantic affairs between men and women received greater attention in Hellenistic poetry, in keeping with an increased emphasis on shared pleasure and reciprocal emotional satisfaction. During the late Republic and the Augustan age, Roman authors incorporated erotic motifs from archaic lyric and Hellenistic epigram into their own first-person love poems. The genre of love elegy, in which the poet-lover professes himself enslaved to a harsh mistress, became widely popular during Augustus’ reign but disappeared shortly thereafter. Meanwhile, Lucretius’ didactic epic On the Nature of Things, and Vergil’s Aeneid, a heroic account of the founding of Rome, both treat erotic obsession as destructive. In the Imperial period, elite anxieties were displaced onto concerns about gender deviance on the part of males and females alike: the figures of the cinaedus and the tribas were castigated in moralizing poetry, especially satire and satiric epigram. Roman novels focused upon the sexual escapades of marginal displaced types. Under Roman rule, on the other hand, Greek literature saw a new flowering in the Second Sophistic movement. While pederasty remained a favorite subject, hotly championed against heterosexual relations in prose treatises, the Greek novel explored a new model of heterosexuality in which premarital chastity and mutual fidelity appear to anticipate later Christian values.
性,文本表现
两性关系的基本支配-服从模式,包括主动和被动角色之间的等级区分,在希腊和罗马文化中是相同的,并在整个古典时期保持不变。然而,我们发现从荷马时代到罗马帝国的文学传统中反映出微妙的变化。在荷马和赫西奥德中,异性关系是唯一被认可的性代表形式,双方同意的性行为是相互愉悦的。强迫的性行为,以绑架和强奸的形式,也出现在史诗叙事中。鸡奸成为古代希腊抒情诗的一个文学主题。在古典雅典,关于性的论述是与政治意识形态联系在一起的,因为自我控制是一种公民美德,它使自由的成年男性户主能够正确管理自己的财产,并在战争与和平时期为城邦服务。悲剧说明了肆无忌惮的erōs的可怕影响,而喜剧嘲笑那些违反节制或违反性别规范的人,而法医演讲则试图取消这些违法者参与政府的资格。哲学学派对erōs在道德生活中的适当位置存在分歧。虽然在哲学著作中,同性恋关系主导着对爱情的讨论,但在希腊诗歌中,男女之间的浪漫关系受到了更多的关注,与日益强调的共享快乐和互惠的情感满足保持一致。在共和国晚期和奥古斯都时代,罗马作家将古代抒情诗和希腊警句中的情色主题融入到他们自己的第一人称情诗中。在爱情挽歌中,恋诗人承认自己被一个苛刻的情妇奴役,这种风格在奥古斯都统治期间广泛流行,但此后不久就消失了。与此同时,卢克莱修的说教史诗《论事物的本质》和维吉尔的《埃涅阿斯纪》都将情爱痴迷视为破坏性的。在帝国时期,精英们的焦虑被转移到对男性和女性性别偏差的担忧上:在道德诗歌中,尤其是讽刺和讽刺警句中,cinaedus和tribas的人物受到了严厉的惩罚。罗马小说关注边缘流离失所者的性越轨行为。另一方面,在罗马统治下,希腊文学在第二次诡辩运动中迎来了新的繁荣。虽然鸡奸仍然是一个受欢迎的话题,在散文论文中热烈地反对异性恋关系,但这部希腊小说探索了一种新的异性恋模式,在这种模式中,婚前贞洁和相互忠诚似乎预示着后来的基督教价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信