{"title":"Cultural exchange between Canada and Ukrainian SSR as an tool of Soviet propaganda","authors":"R. Siromskyi","doi":"10.17721/2521-1706.2020.10.8","DOIUrl":null,"url":null,"abstract":"The aim of the research is to analyze peculiarities of cultural exchange between Canada and the Ukrainian SSR in the 1960s and 1980s, which took place during the Cold War.\n\nThe research methodology is defined by an interdisciplinary approach (history, culture, foreign relations) and is based on general scientific and special scientific methods, first of all, retrospection and historical comparison.\n\nThe scientific novelty of the research is that on the basis of archival materials determined the forms and content of cultural exchange between the Ukrainian SSR and Canada, in particular its propaganda content.\n\nThe Conclusions. During the Cold War the cultural sphere became an arena of confrontation, and art (or what was meant by it) became part of ideological propaganda campaigns. Cultural exchange was seen by the Soviets as a way of representing «achievements of socialist culture» to Canadian Ukrainians and as an effective propaganda tool. Formally, on the Soviet side, cultural exchanges were carried out by specially created organizations, which, however, were managed and financed through the Central Committee of the Communist Party and the International Department of the Committee of State Security (KGB).\n\nThe request to maintain cultural ties with the Ukrainian SSR in Canada was largely due to the desire of the Ukrainian community overseas to maintain spiritual ties with the Motherland. Different approaches to the interpretation of cult exchange – from approval to complete denial – have provoked a lively discussion in the diaspora. Adherents of cultural programs from the Ukrainian SSR were Canadian left-wing organizations, such as the Association of United Ukrainian Canadians. The League of Liberation of Ukraine was a categorical opponent of the cultural exchange, whose representatives saw in the artists from the USSR Soviet emissaries called to «destroy» the Ukrainian community in Canada. Organizations within the Ukrainian Canadian Committee (UCC) condemned cultural exchange as a one-sided tool of Soviet propaganda, but viewed cultural ties as a way to influence Soviet artists.\n\nBecause of one-sided Soviet cultural infiltration, on several occasions the UCC voiced its protest against Canada’s cultural exchanges with this country. Ukrainian Canadian artists, choirs and dance ensembles are not permitted to perform in Ukraine unless they were politically acceptable to the Soviet authorities.","PeriodicalId":295458,"journal":{"name":"American History & Politics Scientific edition","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"American History & Politics Scientific edition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/2521-1706.2020.10.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The aim of the research is to analyze peculiarities of cultural exchange between Canada and the Ukrainian SSR in the 1960s and 1980s, which took place during the Cold War.
The research methodology is defined by an interdisciplinary approach (history, culture, foreign relations) and is based on general scientific and special scientific methods, first of all, retrospection and historical comparison.
The scientific novelty of the research is that on the basis of archival materials determined the forms and content of cultural exchange between the Ukrainian SSR and Canada, in particular its propaganda content.
The Conclusions. During the Cold War the cultural sphere became an arena of confrontation, and art (or what was meant by it) became part of ideological propaganda campaigns. Cultural exchange was seen by the Soviets as a way of representing «achievements of socialist culture» to Canadian Ukrainians and as an effective propaganda tool. Formally, on the Soviet side, cultural exchanges were carried out by specially created organizations, which, however, were managed and financed through the Central Committee of the Communist Party and the International Department of the Committee of State Security (KGB).
The request to maintain cultural ties with the Ukrainian SSR in Canada was largely due to the desire of the Ukrainian community overseas to maintain spiritual ties with the Motherland. Different approaches to the interpretation of cult exchange – from approval to complete denial – have provoked a lively discussion in the diaspora. Adherents of cultural programs from the Ukrainian SSR were Canadian left-wing organizations, such as the Association of United Ukrainian Canadians. The League of Liberation of Ukraine was a categorical opponent of the cultural exchange, whose representatives saw in the artists from the USSR Soviet emissaries called to «destroy» the Ukrainian community in Canada. Organizations within the Ukrainian Canadian Committee (UCC) condemned cultural exchange as a one-sided tool of Soviet propaganda, but viewed cultural ties as a way to influence Soviet artists.
Because of one-sided Soviet cultural infiltration, on several occasions the UCC voiced its protest against Canada’s cultural exchanges with this country. Ukrainian Canadian artists, choirs and dance ensembles are not permitted to perform in Ukraine unless they were politically acceptable to the Soviet authorities.
这项研究的目的是分析20世纪60年代和80年代发生在冷战期间的加拿大和乌克兰苏维埃社会主义共和国之间文化交流的特点。研究方法采用跨学科的方法(历史、文化、对外关系),以一般科学和特殊科学方法为基础,首先是回顾和历史比较。该研究的科学新颖性在于,在档案资料的基础上确定了乌克兰苏维埃社会主义共和国与加拿大文化交流的形式和内容,特别是其宣传内容。的结论。在冷战期间,文化领域成为对抗的舞台,艺术(或艺术的含义)成为意识形态宣传运动的一部分。文化交流被苏联视为向加拿大乌克兰人展示“社会主义文化成就”的一种方式,也是一种有效的宣传工具。形式上,在苏联方面,文化交流是由专门成立的组织进行的,然而,这些组织是由共产党中央委员会和国家安全委员会国际部(克格勃)管理和资助的。与在加拿大的乌克兰苏维埃社会主义共和国保持文化联系的要求主要是由于海外乌克兰社区希望与祖国保持精神联系。对邪教交换的不同解释——从赞成到完全否认——在海外激起了热烈的讨论。来自乌克兰苏维埃社会主义共和国的文化项目的拥护者是加拿大的左翼组织,如联合乌克兰加拿大人协会。乌克兰解放联盟(League of Liberation of Ukraine)坚决反对文化交流,他们的代表认为苏联使者的艺术家要“摧毁”加拿大的乌克兰社区。乌克兰加拿大委员会(UCC)内部的组织谴责文化交流是苏联片面的宣传工具,但认为文化联系是影响苏联艺术家的一种方式。由于苏联文化的片面渗透,UCC多次对加拿大与这个国家的文化交流表示抗议。乌克兰裔加拿大艺术家、合唱团和舞蹈团不得在乌克兰演出,除非他们在政治上为苏联当局所接受。