A Design Archival Approach to Knowledge Production in Design Research and Practice

Søren Rasmussen, J. Fritsch, N. B. Hansen
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Abstract

In this paper, we develop the notion of design archives to understand how different forms of knowledge are systematically accumulated and shared in and across design processes. Drawing on philosophy and media theory, we present a working definition of design archives as more than documentation. Through an interview study, we investigate how various archives systematically inform design work and govern the way design processes are represented and reflected upon. The study provides insights into an abundance of tools used to access, record, store and share information. We highlight the difference between personal, shared, and public archives, different archival barriers for sharing, how prototypes act as (an)archival conduits of design potentials, and how information (and people) tend to get lost in the archives. Finally, we discuss how a design archival approach might help identify power relations in design while also facilitating a move from 'dead' to 'living' archives in design work.
设计研究与实践中知识生产的设计档案方法
在本文中,我们提出了设计档案的概念,以理解不同形式的知识是如何在设计过程中系统地积累和共享的。借鉴哲学和媒体理论,我们提出了设计档案的工作定义,不仅仅是文档。通过访谈研究,我们调查了各种档案如何系统地为设计工作提供信息,并管理设计过程的表现和反映方式。该研究提供了对用于访问、记录、存储和共享信息的大量工具的见解。我们强调了个人档案、共享档案和公共档案之间的区别,不同的档案共享障碍,原型如何作为设计潜力的档案管道,以及信息(和人)如何在档案中丢失。最后,我们讨论了设计档案方法如何帮助识别设计中的权力关系,同时也促进了设计工作中从“死”到“活”档案的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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