The Silence of Others: A conversation with the filmmakers

Almudena Carracedo, Robert Bahar, C. Groult
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Abstract

The Silence of Others comes back to a past that doesn’t pass: how the Franco dictatorship (1936–1975) has shaped Spain and how the period that followed, the “transition,” has led to a conflicting collective memory by silencing the victims. Seven years in the making, The Silence of Others, Almudena Carracedo and Robert Bahar’s documentary, follows an unfolding lawsuit launched by a group of victims and survivors determined to seek justice. Unable to prosecute their crimes in Spain, they decided to turn to Argentina with the hope that a judge could apply the principle of universal jurisdiction to open an investigation. Almudena Carracedo and Robert Bahar agreed to talk to Violence about their film and its reception in Spain and abroad, and about how art could pave the way to exiting violence.
《他人的沉默:与电影人的对话
《他人的沉默》回到了一个没有过去的过去:佛朗哥独裁统治(1936-1975)如何塑造了西班牙,以及随后的“过渡”时期如何通过让受害者沉默,导致了一种相互冲突的集体记忆。阿尔穆德娜·卡拉塞多和罗伯特·巴哈尔的纪录片《他人的沉默》历时七年,讲述了一群受害者和幸存者决心寻求正义的诉讼。由于无法在西班牙起诉他们的罪行,他们决定转向阿根廷,希望一名法官能够运用普遍管辖权原则展开调查。Almudena Carracedo和Robert Bahar同意与Violence谈论他们的电影及其在西班牙和国外的接受程度,以及艺术如何为退出暴力铺平道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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