Ballet Bodies

Melissa R. Klapper
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Abstract

Dance is a fundamentally embodied art, and the ballet body has always been a contested site. Modern dance pioneers distinguished their fledgling art form by denouncing ballet as unnatural and particularly unsuited for the modern American dancer. Concerns about the pernicious effects of the idealized ballet body, especially on girls and young women, led to sharp medical and psychological concerns that seeped into popular representations of ballet class. Feminist critiques of ballet for supposedly oppressing women gained currency at the end of the twentieth century. Whatever the merits of such critiques, ballet can also be empowering for women in terms of bodily strength and artistic integrity, as seen in the controversial figure of the ballerina.
芭蕾舞的身体
舞蹈是一种本质上体现的艺术,而芭蕾舞剧的主体一直是一个有争议的地方。现代舞的先驱们通过谴责芭蕾是不自然的,特别不适合现代美国舞者来区分他们刚刚起步的艺术形式。对理想化芭蕾舞身体的有害影响的担忧,特别是对女孩和年轻女性的有害影响,导致了强烈的医学和心理担忧,这些担忧渗透到芭蕾课程的流行表现中。女权主义者对芭蕾压迫女性的批评在二十世纪末开始流行。无论这些批评的优点是什么,芭蕾舞也可以在身体力量和艺术完整性方面赋予女性权力,正如芭蕾舞女演员这个有争议的人物所看到的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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