RENEWAL OF THE GREEK ILLUSTRATED CHILDREN’S BOOK DURING THE METAPOLITEFSI

Ioanna Delfino
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Abstract

With the restoration of democracy in Greece in 1974 a period of transition began, known as metapolitefsi, which saw deep political, social and economic changes. Progressive developments also occurred in art, culture and education. The rules of the new pedagogy affected the field of literature and more specifically children’s illustrated books. Thus, writers departed from the old conservative models, dominated by protectionism and superficial idealism. Instead, they introduced political, social and environmental concerns, while the language became friendlier and modern. At the same time, illustrators such as Kyritsopoulos, Zarampouka, Fakinou, Maroulakis, Psaraki a.s.o., begin to move away from the dry literalness and naive realism of most of their predecessors. They draw on a wide range of sources, from cartoons to abstraction and from Art Nouveau to Pop Art, they experiment with techniques never before used in Greek book illustration, and use innovative symbolism to convey textual meanings. Their style becomes intimate, imaginative and humorous. Pictures are no longer a merely decorative accompaniment to the text which is particularly important. They often cover the entire surface of the page, and play a decisive role in the development of the story. In short, they become central to the experience of the book. It is no coincidence that the young illustrators of the 70s and 80s often wrote their own texts. Typography, too, escapes from strict rules. Handwritten lettering, previously unheard of in Greek books, is often used on covers and title pages. Overall, during the early years of the Greek metapolitefsi, children’s illustrated books changed radically and caught up with international developments. The predictable layout and obvious didacticism of previous decades, especially during the military junta (1967-1974), gave way to sophistication, sensitivity and wit, fresh and intelligent ways of introducing children to real-life social and ethical issues.
文艺复兴时期希腊儿童绘本的复兴
随着1974年希腊恢复民主,开始了一个被称为“过渡时期”的过渡时期,政治、社会和经济发生了深刻的变化。艺术、文化和教育也取得了进步。新教学法的规则影响了文学领域,特别是儿童插图书。因此,作家们脱离了以保护主义和肤浅的理想主义为主导的旧的保守主义模式。相反,他们引入了政治、社会和环境问题,而语言变得更加友好和现代。与此同时,像Kyritsopoulos, Zarampouka, Fakinou, Maroulakis, Psaraki等插画家开始摆脱他们大多数前辈的枯燥的文字和天真的现实主义。他们借鉴了广泛的资源,从卡通到抽象,从新艺术到波普艺术,他们尝试了从未在希腊书籍插图中使用过的技术,并使用创新的象征主义来传达文本含义。他们的风格变得亲切、富有想象力和幽默。图片不再仅仅是文字的点缀,这一点尤为重要。它们经常占据整个页面的表面,在故事的发展中起着决定性的作用。简而言之,它们成为了本书体验的中心。70年代和80年代的年轻插画家经常自己写文字,这并非巧合。排版也逃脱了严格的规则。以前在希腊书中闻所未闻的手写字体,经常用在封面和扉页上。总的来说,在希腊大都市的早期,儿童插图书发生了根本性的变化,并赶上了国际发展。在前几十年,尤其是在军政府时期(1967-1974),可预见的布局和明显的说教让位于成熟、敏感和机智,以新鲜和聪明的方式向孩子们介绍现实生活中的社会和伦理问题。
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