Mythopoetic imagination as a source of critique and reconstruction: alternative storylines about our place in cosmos

Heikki Patomäki
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引用次数: 3

Abstract

Temporal reflexivity requires that we recognize consciousness, society and history as mythopoetically constituted. Mythopoetic imagination can also be a means of critique of the prevailing myths. In complex pluralist societies, there are hegemonic struggles over constitutive myths, shaping both our explanatory accounts of the past and scenarios about possible futures. A widespread myth of contemporary liberal-capitalist societies comprises three temporal tiers: deep cosmic scepticism; various ethical and political lessons drawn from, and theories related to, this scepticism; and the capacity of technology and economic growth to bring us some comfort and enjoyment in our short lives. An alternative cosmic storyline centres on the prospects of life and culture, rather than death, and on our common evolvement also through collective learning. In this paper, I examine possible interpretations of the basic Big History (BH) narrative in view of these two ideal-typical storylines. How is BH positioned and positioning itself in relation to the main scientific myths of the 21st century? I assess the plausibility of BH in terms of both logos and mythos; and criticising BH’s ambiguities, I argue in favour of the life-oriented storyline.
作为批判和重建来源的神话想象:关于我们在宇宙中的位置的不同故事情节
时间反身性要求我们认识到意识、社会和历史都是以神话的方式构成的。神话想象也可以成为对主流神话进行批判的一种手段。在复杂的多元社会中,存在着对结构性神话的霸权斗争,这些神话既塑造了我们对过去的解释,也塑造了我们对可能的未来的设想。当代自由资本主义社会的普遍神话包括三个暂时层面:深刻的宇宙怀疑主义;从这种怀疑主义中得出的各种伦理和政治教训以及与之相关的理论;科技和经济的发展能够在我们短暂的生命中给我们带来一些舒适和享受。另一种宇宙故事线的中心是生命和文化的前景,而不是死亡,以及我们通过集体学习的共同进化。在本文中,我从这两个理想的典型故事情节出发,考察了对基本大历史(BH)叙事的可能解释。与21世纪的主要科学神话相比,BH是如何定位和定位自己的?我从理性和神话两方面来评估BH的合理性;批评《黑洞》的模棱两可,我赞成以生活为导向的故事情节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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