{"title":"Violence, Female Friendship, and the Education of the Heroine in Mary Davys’s The Reform’d Coquet","authors":"J. Stahl","doi":"10.1353/SLI.2014.0013","DOIUrl":null,"url":null,"abstract":"INTRODUCTION Mary Davys's 1724 novel, The Reform'd Coquet, depicts fifteen-year-old heroine Amoranda's process of reformation as she learns to amend her promiscuous flirtations. By the novel's conclusion, Amoranda commits to marriage to her stern yet protective guardian, a young man disguised as the elderly Formator, who has shed his disguise. If we focus exclusively on Amoranda's relationship with Formator, then The Reform'd Coquet offers heterosexual romance ending in marriage as the heroine's just reward for remedying her misconduct and embracing culturally acceptable feminine behavior. However, Davys's novel is more complex than this. Amoranda's perceptions of her experiences with predatory men and her understanding of the importance of female intimacy and friendship play crucial roles in her journey to reformation. Critics often focus on Amoranda's relationship with her guardian, Formator, and have concluded that The Reform'd Coquet is a story about male power and female powerlessness. Mary Anne Schofield, for example, explores the convention of disguise in Davys's novel and argues that Formator masters this convention \"to gain and control the woman\" (86). Jane Spencer emphasizes The Reform'd Coquet as a novel describing \"the relationship between a faulty heroine and her lover-mentor\" (145). According to Spencer, Davys's novel demonstrates that \"the heroine must find an honest man, submit to his authority, and gain his protection\" (147). Natasha Saje shows how Formator watches Amoranda and manipulates his opportunities to re-form her \"into a good wife--a docile and quiet one\" (167). Helen Thompson argues that The Reform'd Coquet plots the trajectory of a heroine \"who must learn to love a manifestly arbitrary domestic law: Amoranda's venerable, sympathetic, and fatherly guardian\" (51). Thompson claims that Formator \"effects his purpose so well\" that Amoranda internalizes his moral instruction and believes she is accepting his authority as a result of her personal inclination (52). In her recent study, Our Coquettes: Capacious Desire in the Eighteenth Century, Theresa Braunschneider develops a provocative thesis about \"two dynamics\" that combine to facilitate Amoranda's change from coquette to marriageable woman: her desire to engage in intimate and erotic friendships with women and her growing fear of physical endangerment from men (109-15). Braunschneider, however, focuses almost exclusively on Amoranda's interaction with a cross-dressing man whom Amoranda mistakes for a female. My interest in this essay is in the ways that Amoranda grapples with the problem of coping with the sexual violence of men and how her friendships with two women, Altemira and Arentia, play important roles in her developing awareness of her need to find strategies to empower herself within a threatening male-dominated world. While female friendship in The Reform'd Coquet has not been a focal point of critical attention, the topic of friendships and intimacy among women in eighteenth-century literature has become an important field of feminist literary criticism and gender studies in recent years, and has generated much fruitful scholarship. For example, studies by Emma Donoghue, Lillian Faderman, Janet Todd, Valerie Traub, and Elizabeth Wahl, to name a few, have shown that women in eighteenth-century fiction and in eighteenth-century society regarded their friendships with other women as a central element of their lives, and engaged in friendships ranging from emotionally supportive to romantically and erotically charged. (1) By focusing first on Amoranda's experiences with men, and then turning to her interaction with women, I will show how Amoranda learns to understand and to cope with violence, potential rapists, and cultural expectations of female behavior and sexuality. I aim to uncover questions that Davys evokes: Are female friendship and intimacy destined for failure in a heterosexual society that regards marriage as the most viable female destiny and husbands as the ultimate protectors of women? …","PeriodicalId":390916,"journal":{"name":"Studies in the Literary Imagination","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in the Literary Imagination","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/SLI.2014.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
INTRODUCTION Mary Davys's 1724 novel, The Reform'd Coquet, depicts fifteen-year-old heroine Amoranda's process of reformation as she learns to amend her promiscuous flirtations. By the novel's conclusion, Amoranda commits to marriage to her stern yet protective guardian, a young man disguised as the elderly Formator, who has shed his disguise. If we focus exclusively on Amoranda's relationship with Formator, then The Reform'd Coquet offers heterosexual romance ending in marriage as the heroine's just reward for remedying her misconduct and embracing culturally acceptable feminine behavior. However, Davys's novel is more complex than this. Amoranda's perceptions of her experiences with predatory men and her understanding of the importance of female intimacy and friendship play crucial roles in her journey to reformation. Critics often focus on Amoranda's relationship with her guardian, Formator, and have concluded that The Reform'd Coquet is a story about male power and female powerlessness. Mary Anne Schofield, for example, explores the convention of disguise in Davys's novel and argues that Formator masters this convention "to gain and control the woman" (86). Jane Spencer emphasizes The Reform'd Coquet as a novel describing "the relationship between a faulty heroine and her lover-mentor" (145). According to Spencer, Davys's novel demonstrates that "the heroine must find an honest man, submit to his authority, and gain his protection" (147). Natasha Saje shows how Formator watches Amoranda and manipulates his opportunities to re-form her "into a good wife--a docile and quiet one" (167). Helen Thompson argues that The Reform'd Coquet plots the trajectory of a heroine "who must learn to love a manifestly arbitrary domestic law: Amoranda's venerable, sympathetic, and fatherly guardian" (51). Thompson claims that Formator "effects his purpose so well" that Amoranda internalizes his moral instruction and believes she is accepting his authority as a result of her personal inclination (52). In her recent study, Our Coquettes: Capacious Desire in the Eighteenth Century, Theresa Braunschneider develops a provocative thesis about "two dynamics" that combine to facilitate Amoranda's change from coquette to marriageable woman: her desire to engage in intimate and erotic friendships with women and her growing fear of physical endangerment from men (109-15). Braunschneider, however, focuses almost exclusively on Amoranda's interaction with a cross-dressing man whom Amoranda mistakes for a female. My interest in this essay is in the ways that Amoranda grapples with the problem of coping with the sexual violence of men and how her friendships with two women, Altemira and Arentia, play important roles in her developing awareness of her need to find strategies to empower herself within a threatening male-dominated world. While female friendship in The Reform'd Coquet has not been a focal point of critical attention, the topic of friendships and intimacy among women in eighteenth-century literature has become an important field of feminist literary criticism and gender studies in recent years, and has generated much fruitful scholarship. For example, studies by Emma Donoghue, Lillian Faderman, Janet Todd, Valerie Traub, and Elizabeth Wahl, to name a few, have shown that women in eighteenth-century fiction and in eighteenth-century society regarded their friendships with other women as a central element of their lives, and engaged in friendships ranging from emotionally supportive to romantically and erotically charged. (1) By focusing first on Amoranda's experiences with men, and then turning to her interaction with women, I will show how Amoranda learns to understand and to cope with violence, potential rapists, and cultural expectations of female behavior and sexuality. I aim to uncover questions that Davys evokes: Are female friendship and intimacy destined for failure in a heterosexual society that regards marriage as the most viable female destiny and husbands as the ultimate protectors of women? …
玛丽·戴维斯1724年的小说《改过自新的风流韵事》描绘了15岁的女主人公阿莫兰达在学习改正自己滥交的调情行为时的改革过程。在小说的结尾,阿莫兰达承诺嫁给她严厉但保护她的监护人,一个伪装成年迈的Formator的年轻人,他已经卸去了伪装。如果我们只关注阿莫兰达与Formator的关系,那么《改过自新》将以婚姻结束的异性恋浪漫作为女主角纠正不当行为并接受文化上可接受的女性行为的奖励。然而,戴维斯的小说比这更复杂。阿莫兰达对她与掠夺性男人的经历的看法,以及她对女性亲密关系和友谊重要性的理解,在她的改革之旅中发挥了至关重要的作用。评论家们经常关注阿莫兰达与她的监护人Formator的关系,并得出结论,《改革后的花花公子》是一个关于男性权力和女性无能为力的故事。例如,玛丽·安妮·斯科菲尔德(Mary Anne Schofield)在戴维斯的小说中探讨了伪装的惯例,并认为Formator掌握了这种惯例“以获得和控制女性”(86)。简·斯宾塞强调《改革后的花花公子》是一部描述“一个有缺陷的女主人公和她的情人兼导师之间的关系”的小说(145)。斯宾塞认为,戴维斯的小说表明“女主角必须找到一个诚实的人,服从他的权威,并获得他的保护”(147)。Natasha Saje展示了Formator如何观察Amoranda并操纵他的机会将她重新塑造成一个“温顺而安静的好妻子”(167)。海伦·汤普森认为,《改革后的风流韵事》描绘了女主角的人生轨迹,“她必须学会爱上一个明显武断的国内法:阿莫兰达可敬的、富有同情心的、慈父般的监护人”(51)。Thompson声称Formator“很好地实现了他的目的”,以至于Amoranda内化了他的道德指导,并相信她接受Formator的权威是她个人倾向的结果(52)。在她最近的研究《我们的风骚女郎:18世纪的巨大欲望》中,特蕾莎·布劳施奈德提出了一个具有挑衅性的论点,即“两种动力”结合在一起,促进了阿莫兰达从风骚女郎转变为适婚女性:她渴望与女性建立亲密的情爱友谊,以及她对男性身体危害的日益恐惧(109-15)。然而,布劳施耐德几乎完全专注于阿莫兰达与一个被阿莫兰达误认为是女性的异装癖男子的互动。我对这篇文章感兴趣的是阿莫兰达如何应对男性性暴力的问题,以及她与两个女人,阿尔特米拉和阿伦蒂亚的友谊,如何在她意识到自己需要找到策略,在一个充满威胁的男性主导的世界中赋予自己力量的过程中发挥了重要作用。虽然《变法女郎》中的女性友谊并不是评论界关注的焦点,但18世纪文学中女性友谊和亲密关系的话题近年来已成为女性主义文学批评和性别研究的一个重要领域,并产生了许多卓有成效的学术成果。例如,艾玛·多诺霍、莉莲·法德曼、珍妮特·托德、瓦莱丽·特劳布和伊丽莎白·沃尔等人的研究表明,在18世纪的小说和18世纪的社会中,女性把她们与其他女性的友谊视为她们生活的中心元素,她们的友谊从情感上的支持到浪漫和色情的充满。(1)通过首先关注阿莫兰达与男人的经历,然后转向她与女人的互动,我将展示阿莫兰达如何学会理解和应对暴力,潜在的强奸犯,以及对女性行为和性的文化期望。我的目标是揭示戴维斯唤起的问题:在一个视婚姻为最可行的女性命运、视丈夫为女性最终保护者的异性恋社会中,女性的友谊和亲密关系是否注定要失败?…