Nostalgia for the Old West in Knott’s Berry Farm, Orange County, California

J. Wills
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Abstract

Over the last century, western nostalgia has taken on a variety of entertainment forms. From Buffalo Bill’s Wild West shows through to Rockstar’s Red Dead Redemption video games, the entertainment industry has maintained an emotional attachment to America’s frontier past across a diversity of platforms. Nostalgia has translated into the setting aside of physical spaces across the trans-Mississippi (and beyond) that celebrate a mythic frontier realm. From Yosemite National Park to Dodge City and Deadwood, a range of ‘nostalgic landscapes’ collectively underline the significance of the frontier in American history, to paraphrase Frederick Jackson Turner (Turner 1921, 1), and foster a mass appreciation for nineteenth-century exploration and pioneering. The roster of nostalgic landscapes includes twentieth-century amusement parks, with Knott’s Berry Farm in Southern California one of the earliest examples of an attraction based around frontier values. Knott’s Berry Farm, Orange County, began in the 1920s as a small, family-run farm headed by Walter Knott later linked to boysenberry production. During the Depression era, the Knott family opened a roadside restaurant that proved incredibly popular. In the early 1940s, Walter Knott constructed a Wild West town chiefly as a distraction for customers gathered in long queues outside the restaurant, sometimes waiting three to four hours for their chicken dinners. Knott’s ‘Ghost Town’ represented a paragon exercise in Western nostalgia. Billed as an authentic Wild West experience, the Ghost Town signified a conscious attempt to immortalise what its creator Knott deemed one of America’s proudest historical moments. What started off as a simple distraction soon morphed into a key tourist destination in California. Watching the crowds amass in his new Ghost Town, Knott related, ‘They get so interested that I had to install a loud speaker to call them back to dinner.’ The Knott’s Berry Farm Ghost Town offered a distinctive interactive take on frontier history. Visitors explored a town akin to a Hollywood-style film set, watching performances of live-action drama, playing mechanical amusements, and even listening to wood-carved figures speak to them. The Ghost Town pushed a visceral, entertainmentfocused reading of the West. It blended the feel of older, traditional historic sites like Dodge City with a fresh theme park ambience. Visitors walked amongst gun-toting cowboys, panned for gold, and imagined themselves as virtuous pioneers. The park invited audiences to become active participants in frontier storylines. The first of a wave of Western-themed attractions that opened in the mid-century (and presaging
怀旧的老西部在诺特的浆果农场,奥兰治县,加利福尼亚州
在过去的一个世纪里,西方怀旧已经呈现出各种各样的娱乐形式。从Buffalo Bill的狂野西部秀到Rockstar的《荒野大镖客》电子游戏,娱乐产业一直在各种平台上保持着对美国边疆过去的情感依恋。怀旧之情已经转化为横跨密西西比河(以及更远)的物理空间,以庆祝一个神话般的边疆领域。从约塞米蒂国家公园到道奇城和死木,一系列“怀旧景观”共同强调了边疆在美国历史上的重要性,套用弗雷德里克·杰克逊·特纳(Frederick Jackson Turner, 1921, 1)的话,并培养了对19世纪探索和开拓的大众欣赏。怀旧的风景包括20世纪的游乐园,南加州的Knott 's Berry Farm是最早以前沿价值观为基础的景点之一。诺特的浆果农场,奥兰治县,开始于20世纪20年代,作为一个小的,家庭经营的农场,由沃尔特·诺特领导,后来与boysenberry生产联系起来。在大萧条时期,诺特家族开了一家路边餐馆,结果非常受欢迎。在20世纪40年代初,沃尔特·诺特(Walter Knott)建造了一个狂野西部小镇,主要是为了分散在餐厅外排着长队的顾客的注意力,有时他们要等三到四个小时才能吃到鸡肉晚餐。诺特的《鬼城》是西方怀旧的典范。作为一个真正的狂野西部的体验,鬼城标志着一个有意识的尝试,以使它的创造者诺特认为是美国最值得骄傲的历史时刻之一。这里最初只是一个简单的消遣场所,很快就变成了加州的一个重要旅游目的地。诺特说,看着他的新鬼城里聚集的人群,“他们太感兴趣了,我不得不安装一个扩音器,把他们叫回来吃饭。”“诺特的贝里农场鬼城提供了一个独特的互动的边疆历史。游客们探索了一个类似好莱坞风格的电影场景的小镇,观看真人戏剧表演,玩机械娱乐,甚至听木雕人物对他们说话。《鬼城》推动了一种发自内心的、以娱乐为中心的对西部的解读。它将道奇城(Dodge City)等古老的传统历史遗迹的感觉与新鲜的主题公园氛围融为一体。游客们走在持枪的牛仔中间,淘金,想象自己是高尚的拓荒者。公园邀请观众成为前线故事情节的积极参与者。这是上世纪中叶开放的第一批西方主题景点(预示着未来)
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