Nihilism and Event in Harold Pinter’s The Homecoming

Lanja Najmalddin Karim
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Abstract

In Harold Pinter’s The Homecoming, Lenny and Ruth are represented as two characters who seek the utter destruction of all moral and social values. By drawing on Nietzsche’s concept of nihilism this paper claims that Ruth and Lenny are being totally nihilistic as they are seeking the devaluation of any tradition or system of values that is created within and beyond the spaces they inhabit. This paper explores what constitutes the concept of ‘event’ by drawing on Alain Badiou and Gilles Deleuze’s conceptualization of event to claim that the way Pinter creates event in the play is what gives it its nihilistic aspect. According to Deleuze in The Logic of Sense: “The event is always that which has just happened and that which is about to happen, but never that which is happening” (2). However, in The Homecoming the event is what is happening, and what had happened with complete disregard to what will happen, thus, the lack of reference to the future makes this play  nihilistic. As the characters are constantly trying to destroy present they also become oblivious to future.
品特《归乡》中的虚无主义与事件
在哈罗德品特的《归乡》中,莱尼和露丝被描绘成两个寻求彻底摧毁所有道德和社会价值观的角色。通过引用尼采的虚无主义概念,本文声称露丝和莱尼是完全虚无主义的,因为他们正在寻求任何传统或价值体系的贬值,这些价值体系是在他们所居住的空间内外创造的。本文通过借鉴阿兰·巴迪欧和吉尔·德勒兹对事件的概念化,探讨了“事件”概念的构成,并声称品特在剧中创造事件的方式赋予了它虚无主义的一面。德勒兹在《感觉的逻辑》中说:“事件总是刚刚发生的和将要发生的,而不是正在发生的”(2)。然而,在《归乡》中,事件是正在发生的,已经发生的,完全不顾将要发生的,因此,缺乏对未来的参考,使这部戏剧虚无主义。随着角色不断地试图摧毁现在,他们也变得对未来视而不见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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