Idealism and Realism in George Bernard Shaw’s Arms and the Man

Ahmed Saeed Ahmed Mocbil
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Abstract

Generally, George Bernard Shaw defines literature as the mirror of the society. He presents his looking-glass by portraying the good and bad ideas of his society. He is the playwright who attached the romanticism through the naturalism movement that started at the middle of the 19th century to replace romanticism. This research aims to reveal the private follies of the characters in George Bernard Shaw’s Arms and the Man, in terms of their idealism and realism in war and love. This play is a satire on the foolishness of glorifying war, as well as on idealistic notions of love. Through it, Shaw tries to reflect the reality of his period of time and society. He harshly criticizes the notion of war because of its terrible consequences such as bloodshed, destruction and poverty. About love, he emphasizes that it is important to follow ones heart in marriage not social status or appearances. The methodology of the study is analytical. In conclusion, the results show that Shaw’s aims to reform society’s conventional behavior to rescue it from fake changing of characters idealism notions of war and love at the end of the play achieved idealism to become more realism, especially that relate to marriage.
萧伯纳《武器与人》中的理想主义与现实主义
萧伯纳把文学定义为社会的镜子。他通过描绘他的社会的好的和坏的想法来展示他的镜子。他是通过19世纪中期开始的代替浪漫主义的自然主义运动,将浪漫主义融入其中的剧作家。本研究旨在揭示萧伯纳的《兵士》中人物在战争与爱情中的理想主义与现实主义的私心愚行。这出戏讽刺了美化战争的愚蠢,也讽刺了理想主义的爱情观念。萧伯纳试图通过它来反映他所处的时代和社会的现实。他严厉批评了战争的概念,因为战争带来了流血、破坏和贫穷等可怕的后果。关于爱情,他强调在婚姻中重要的是听从自己的内心,而不是社会地位或外表。本研究的方法是分析性的。综上所述,结果表明萧伯纳的目的是改造社会的传统行为,使其摆脱人物的虚假变化,在戏剧的最后,理想主义的战争和爱情观念实现了理想主义向现实主义的转变,特别是在婚姻方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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