Hard Rock, Glam Rock, and Progressive Rock in the 1970s

Nick Braae
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Abstract

This chapter places Queen within the network of the principal rock labels of the 1970s. Extending the work of classical and popular music analysts, a distinction is drawn between style and genre, as pertaining to replicated musical patterns and the cultural meanings afforded by such patterns, respectively. With this distinction in place, Queen’s 1970s outputs are analysed in relation to the style and genre conventions of hard rock, glam rock, and progressive rock. It is demonstrated that the band engaged the style conventions of the former and latter labels, but were positioned closer to glam rock in genre terms. This is evident through their subversive exaggerated articulation of hard and progressive rock style traits, with ‘Bohemian Rhapsody’ encapsulating this relationship.
70年代的硬摇滚、华丽摇滚和进步摇滚
这一章将皇后乐队置于20世纪70年代主要摇滚厂牌的网络中。扩展古典音乐和流行音乐分析的工作,风格和流派之间的区别,分别与复制的音乐模式和这种模式所提供的文化意义有关。有了这样的区别,皇后乐队70年代的作品被分析为硬摇滚、华丽摇滚和前卫摇滚的风格和类型惯例。这证明了乐队参与了前一个和后一个标签的风格惯例,但在流派方面更接近于华丽摇滚。这一点从他们颠覆性地夸张地表达硬摇滚和前卫摇滚风格特征中可以明显看出,《波西米亚狂想曲》(Bohemian Rhapsody)概括了这种关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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