Originali e copie nella Lettera di Filippo Baldinucci a Vincenzo Capponi

E. Fumagalli
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引用次数: 0

Abstract

This contribution aims to analyse Filippo Baldinucci’s Letter to Vincenzo Capponi (Rome, 1681) in all its aspects, particularly its concept of original and copy, taking into account Baldinucci’s position in the Accademia del Disegno and in the Roman cultural milieu. Through some examples, the essay also intends to assess the Letter vis-à-vis the correspondence between the Medici agents in Venice and the court, in order to emphasise the relation between the artistic literature on copies and the practical experience of the individuals who had to secure paintings for demanding collectors such as prince Leopoldo de’ Medici.
菲利普·巴尔迪努奇给文森佐·卡波尼的信的原件和副本
这篇文章的目的是分析菲利波·巴尔迪努奇给文森佐·卡波尼的信(1681年,罗马)的各个方面,特别是它的原创和复制的概念,考虑到巴尔迪努奇在迪塞尼奥学院和罗马文化环境中的地位。通过一些例子,本文还打算评估信件vis-à-vis在威尼斯的美第奇代理人和法院之间的通信,以强调复制的艺术文献与个人的实践经验之间的关系,这些个人必须为要求严格的收藏家(如利奥波尔多·德·美第奇王子)确保绘画。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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