Sanmao's Literary Creation Style

Zhenzhi Guo
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Abstract

Sanmao was formerly known as Chen Ping, a contemporary Taiwanese female writer and traveler. Sanmao is one of the few contemporary prose writers. Although many scholars believe that her works have some novel elements, a kind of work is accepted by readers with what kind of style, it has a substantial impact on what kind of style, so Sanmao is placed into the ranks of prose writers. For Sanmao, writing constitutes her unique life form. Sanmao's literary creation style has a very high literary research value, which is closely related to her innate personality, as well as her understanding of life itself and her unique literary interpretation skills. To be precise, Sanmao does not have the serious creative mission of a pure literary writer, nor will it deliberately pursue the social effectiveness of her works. For her, innovation is neither the great cause of the country, nor the masterpiece of the past dynasties. This article explores Sanmao's literary creation style through the three writing characteristics of writing freely, “depending on benevolence, swim in art” and integration of “Inovel” creation skills.
三毛的文学创作风格
三毛原名陈萍,台湾当代女作家、旅行家。三毛是当代为数不多的散文作家之一。虽然很多学者认为她的作品有一些新颖的成分,但一种作品以什么样的风格被读者所接受,对什么样的风格有着实质性的影响,因此三毛被列入散文作家的行列。对三毛来说,写作是她独特的生活方式。三毛的文学创作风格具有很高的文学研究价值,这与她与生俱来的个性,以及她对生活本身的理解和独特的文学解读技巧密切相关。确切地说,三毛没有一个纯文学作家严肃的创作使命,也不会刻意追求作品的社会有效性。对她来说,创新既不是国家的伟大事业,也不是历代的杰作。本文通过自由写意、“依仁、游艺”和融合“新颖”创作技巧的三大写作特征来探讨三毛的文学创作风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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