ROUTINE VS. ROUTINIZATION IN A. BIERCE’S STORY «AN OCCURRENCE AT OWL CREEK BRIDGE»

Olena Gorenko
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Abstract

The article introduces a phenomenological approach to the analysis of A. Bierce’s story «An occurrence at Owl creek bridge». The category of routine is studied within the frames of Husserl’s interpretation of transcendental inter-subjectivity according to which «realized experience» is presented on two levels. The first is connected with a single flood of consciousness, and, to be more precise,with a possible perception of a single ego-subject. In the story it is Peyton Farquhar. The second represents the constructed unity of a higher level and is a multitude of subjects which are in a state of agreement and mutual understanding. These are soldiers and officers of the Unionist Army, who are involved into the procedure of a hanging which acquires the status of a ritualized routine, daily occurrence. Bierce’s approach to routinization of death is explicitly ironic. Irony is applied on both stylistic and linguistic levels. On linguistic level it is used as traditional incompatibility between what is said and what is meant. On stylistic one– it accentuates the contrast between textual reality and its possible perception by reading audience. This contrast is also revealed through the opposition of two temporal layers – physical and psychological. The first has system forming narrative function, and the latter – system differentiating one. These two levels have a cross-section – internal existential perception of time and space by the person condemned to the execution and his temporal victory over death. At the same time the narrative mechanism of probing deep into the main character’s state of mind is being analysed. This mechanism helps the writer to express implicitly his real attitude to this «occurrence», which reflected paradoxality of civil conflict. On the one hand, it is an attempt to routinize the execution of enemies, on the other, – futile desire to return to the routine.
例行公事与例行公事在a. bierce的故事“猫头鹰溪桥的一件事”
本文引入现象学的方法来分析a .比尔斯的故事《猫头鹰溪桥上的一件事》。日常范畴是在胡塞尔对先验主体间性的解释框架内进行研究的,据此,“已实现的经验”在两个层面上呈现。第一种与单一的意识洪流有关,更确切地说,与单一自我主体的可能感知有关。在故事中是佩顿·法夸尔。第二层是一个更高层次的建构统一体,是众多主体处于一致和相互理解的状态。这些是统一军的士兵和军官,他们参与了绞刑的程序,这是一种仪式化的例行公事,每天都会发生。比尔斯将死亡常规化的方法显然具有讽刺意味。反讽在文体和语言两个层面上都有应用。在语言层面上,它被用作传统的言意矛盾。在文体方面,它强调了文本现实与读者可能感知的对比。这种对比也通过生理和心理两个时间层面的对立表现出来。前者具有系统形成叙事功能,后者具有系统分化叙事功能。这两个层面有一个横截面——被判处死刑的人对时间和空间的内在存在感知,以及他在时间上战胜死亡。同时对深入探究主人公心理状态的叙事机制进行了分析。这一机制有助于作者含蓄地表达他对这一“事件”的真实态度,反映了国内冲突的悖论性。一方面,这是一种将对敌人的处决常规化的尝试,另一方面,是一种回归常规的徒劳的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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