Geomediations in the Anthropocene: Fictions of the Geologic Turn

Alla Ivanchikova
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引用次数: 21

Abstract

In both literature and philosophy, geologic matter has been imagined as a vector of extending perception and analysis into the territory of not only the nonhuman, but also the non-living, challenging the very distinctions between life and non-life, agile and inert matter. Recently, the debates over the concept of the Anthropocene amplified our fascination with the geologic, bringing into view the inescapable bond of human and Earth’s history. The article probes the possibilities of the geologic turn through two short stories published in the era of the Anthropocene debates—Margaret Atwood’s ‘Stone Mattress’ (2013) and A.S. Byatt’s ‘A Stone Woman’ (2003). The stories’ interest in a geologic setting, their staging of human-mineral intimacies, and their geologically-infused aesthetics position these two stories as fictions of the geologic turn. I examine how these writers—through reconfiguring the relations between bios and geos, human and nonhuman—forge alternatives to an extractive relation to the geos, as well as refuse to accept the figure of Earth as either an inert object or a victim. In this reframing, they also exemplify feminist critique of the imagined unity of ‘Anthropos’ that is named by the Anthropocene thinkers.
人类世的几何学:地质转折的虚构
在文学和哲学中,地质物质都被想象成将感知和分析扩展到非人类和非生物领域的载体,挑战生命和非生命、敏捷和惰性物质之间的区别。最近,关于人类世概念的争论扩大了我们对地质的迷恋,使我们认识到人类和地球历史之间不可避免的联系。这篇文章通过玛格丽特·阿特伍德(margaret Atwood)的《石床垫》(2013)和A.S.拜亚特(A.S. Byatt)的《石女人》(2003)这两篇在人类世争论时代发表的短篇小说探讨了地质转折的可能性。这两个故事对地质背景的兴趣,它们对人类与矿物亲密关系的演绎,以及它们充满地质色彩的美学,使这两个故事成为地质转折的小说。我考察了这些作家是如何——通过重新配置生物与地球、人类与非人类之间的关系——锻造出一种与地球之间的榨取关系的替代方案,以及拒绝接受地球作为一个惰性物体或受害者的形象。在这种重构中,他们也例证了女权主义者对“人类”的想象统一的批评,这是由人类世的思想家命名的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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