{"title":"Giovanni Gagliardi – a virtuoso and a visionary of the accordion","authors":"E. Rosińska","doi":"10.16926/EM.2019.14.18","DOIUrl":null,"url":null,"abstract":"Giovanni Gagliardi (1882–1964), an Italian composer and accordionist is now a forgotten artist. As early as in 1911, in Manualetto del fisarmonicista published in Paris, he postulated modifica- tions in the construction of the accordion, so as to improve the instrument's technical performance. The suggested modernisation of the accordion contributed to the development of the accordion repertoire, with new sound possibilities and new aesthetics. The life of the artist, who began his career as an itinerant player and reached the position of a virtuoso who was highly appreciated by Paris' bohemian artists, changed dramatically after the entry of Italy into World War I in 1915. His refusal to perform military service and after the end of the war also to perform public concerts, as well as 3.5 years of internment during World War II – show Gagliardi as a man engaged not only in musical matters, but also in public affairs. Until the end of his life, he played music in the comfort of his home, and in his correspondence with accordionists and in press interviews he promoted the instrument with a melodic manual. Giovanni Gagliardi was decades ahead of his time, but it was him that the history proved right.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edukacja Muzyczna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16926/EM.2019.14.18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Giovanni Gagliardi (1882–1964), an Italian composer and accordionist is now a forgotten artist. As early as in 1911, in Manualetto del fisarmonicista published in Paris, he postulated modifica- tions in the construction of the accordion, so as to improve the instrument's technical performance. The suggested modernisation of the accordion contributed to the development of the accordion repertoire, with new sound possibilities and new aesthetics. The life of the artist, who began his career as an itinerant player and reached the position of a virtuoso who was highly appreciated by Paris' bohemian artists, changed dramatically after the entry of Italy into World War I in 1915. His refusal to perform military service and after the end of the war also to perform public concerts, as well as 3.5 years of internment during World War II – show Gagliardi as a man engaged not only in musical matters, but also in public affairs. Until the end of his life, he played music in the comfort of his home, and in his correspondence with accordionists and in press interviews he promoted the instrument with a melodic manual. Giovanni Gagliardi was decades ahead of his time, but it was him that the history proved right.
Giovanni Gagliardi(1882-1964),意大利作曲家和手风琴家,现在是一个被遗忘的艺术家。早在1911年,在巴黎出版的《手风琴手册》中,他就提出了对手风琴结构进行修改的设想,以提高乐器的技术性能。建议的手风琴现代化有助于手风琴曲目的发展,具有新的声音可能性和新的美学。这位艺术家以巡回演奏家的身份开始了他的职业生涯,后来成为了一位受到巴黎波西米亚艺术家高度赞赏的艺术大师,他的生活在1915年意大利加入第一次世界大战后发生了巨大变化。他拒绝服兵役,在战争结束后也拒绝举行公开音乐会,以及在第二次世界大战期间被拘留的3.5年-表明加利亚迪不仅从事音乐事务,而且从事公共事务。直到他生命的最后一刻,他都在舒适的家中演奏音乐,在他与手风琴手的通信和新闻采访中,他用一本旋律手册来宣传这种乐器。乔瓦尼·加利亚迪比他的时代超前了几十年,但历史证明是他正确的。