{"title":"The Beginnings of Jewish Primitivism","authors":"S. Spinner","doi":"10.11126/stanford/9781503628274.003.0002","DOIUrl":null,"url":null,"abstract":"Chapter 1 shows how an incipient Jewish literary modernism based on the aesthetics of romantic nationalism was challenged by the emergence of avant-garde primitivist critique. The folklore-inspired Jewish literature of the turn of the twentieth century was influential culturally and politically, in its contribution to the formation of a modern Jewish literary canon. But it also prompted a backlash by members of the avant-garde who cast the Herderian folklorism of the neo-Romantics as mere “stylization” and called for the aesthetic, but not its subject matter, to be discarded. This critique opened the door to a Jewish primitivism that sought to push beyond neo-Romantic aesthetics while remaining ambivalent about its ethno-nationalist politics.","PeriodicalId":305714,"journal":{"name":"Jewish Primitivism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Primitivism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11126/stanford/9781503628274.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Chapter 1 shows how an incipient Jewish literary modernism based on the aesthetics of romantic nationalism was challenged by the emergence of avant-garde primitivist critique. The folklore-inspired Jewish literature of the turn of the twentieth century was influential culturally and politically, in its contribution to the formation of a modern Jewish literary canon. But it also prompted a backlash by members of the avant-garde who cast the Herderian folklorism of the neo-Romantics as mere “stylization” and called for the aesthetic, but not its subject matter, to be discarded. This critique opened the door to a Jewish primitivism that sought to push beyond neo-Romantic aesthetics while remaining ambivalent about its ethno-nationalist politics.