Literary Precursors

Doris V. Sutherland
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Abstract

This chapter discusses the portrayal of mummies and ancient Egypt in fantastic literature. While not necessarily the basis of a coherent subgenre, mummies were a recurring theme in the supernatural literature of the nineteenth and early twentieth centuries as authors of the fantastic found their imaginations fired by the latest developments in Egyptology. Stories from this period often differ significantly from the mummy films that would later develop in Hollywood, but certain aspects of them are nonetheless echoed by Universal Pictures' subgenre-defining 1932 film The Mummy. The chapter then describes haunted mummies and walking mummies. There are three writers in particular who stand out as the most likely influences upon Universal's The Mummy: Bram Stoker, Arthur Conan Doyle, and H. Rider Haggard.
文学渊源
本章讨论奇幻文学中木乃伊和古埃及的形象。虽然木乃伊不一定是一个连贯的分支流派的基础,但在19世纪和20世纪初的超自然文学中,木乃伊是一个反复出现的主题,因为埃及学的最新发展激发了这些奇幻作家的想象力。这一时期的故事往往与后来在好莱坞发展起来的木乃伊电影有很大的不同,但它们的某些方面仍然与环球影业1932年的亚类型定义电影《木乃伊》相呼应。这一章接着描述了闹鬼的木乃伊和行走的木乃伊。有三位作家最有可能对环球电影《木乃伊》产生影响:布拉姆·斯托克、阿瑟·柯南·道尔和h·莱德·哈格德。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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