"ПОВОРОТ К ДОСТОЕВСКОМУ" У ТОМАСА МАННА: "ДОКТОР ФАУСТУС" (1947)

E. Sokolova
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Abstract

The article examines how the center of the «Russian space» by Thomas Mann shifts from L.N. Tolstoy towards F.M. Dostoevsky in the mid-1940s while he was working on Doctor Faustus (1947) and the preface for the American edition of selected works of Dostoevsky (1945) - in the historical context of a turning point during the Second World War. It also gives a brief overview of domestic research on intertextual relations between Doctor Faustus and some works of F.M. Dostoevsky, and notes significant parallelism between dynamics of Adrian Leverkuhn’s «falling away from God» in chapters XIV-XXV of the novel, Thomas Mann’s addressing to some Dostoevsky’s works and development of the Soviet army's counteroffensive to the West in 1944-1945 (as presented by Thomas Mann in «The story of a novel: the genesis of “Doctor Faustus”», 1949).
本文考察了托马斯·曼的“俄罗斯空间”的中心是如何在20世纪40年代中期从L.N.托尔斯泰转向F.M.陀思妥耶夫斯基的,当时他正在创作《浮士德博士》(1947)和《陀思妥耶夫斯基选集》美国版(1945)的序言——在第二次世界大战的一个转折点的历史背景下。它还简要概述了国内对浮士德博士和陀思妥耶夫斯基的一些作品之间互文关系的研究,并注意到小说第14 - 25章中阿德里安·勒沃库恩的“远离上帝”的动态,托马斯·曼对陀思妥耶夫斯基的一些作品的处理和1944-1945年苏联军队对西方反进攻的发展之间的重要平行关系(如托马斯·曼在“小说的故事:“浮士德博士”的起源”,1949)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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