Making Space for the Psychology of Creativity in Dance Science

L. Clements, Rebecca Weber
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引用次数: 2

Abstract

Creativity is commonly recognized as a complex phenomenon; one which entails a range of debates around definition, process and product, domain specificity, cross-discipline generalisability, and appropriate testing measures. The psychology of creativity appears to find a fitting home in dance science, a field concerned with understanding and enhancing dancers' health and performance. Yet dance psychology has been predominated by research which focuses on the mental processes underpinning optimal skill execution and technical performance. This paper outlines an argument for a greater focus on the creative demands of dance within dance science, highlighting some the challenges of, and barriers to, research in the psychology of creativity in dance, before making a number of recommendations to encourage the growth of this important research area.
为舞蹈科学中的创造心理学腾出空间
创造力通常被认为是一种复杂的现象;其中包括一系列围绕定义、过程和产品、领域专用性、跨学科通用性和适当的测试措施的辩论。创造心理学似乎在舞蹈科学中找到了一个合适的家,这是一个关注于理解和提高舞者的健康和表演的领域。然而,舞蹈心理学的研究主要集中在支持最佳技能执行和技术表现的心理过程上。本文概述了在舞蹈科学中更关注舞蹈的创造性需求的论点,强调了舞蹈创造力心理学研究的一些挑战和障碍,然后提出了一些建议,以鼓励这一重要研究领域的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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