Pedagogies of Pleasure

Carissa M. Harris
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Abstract

This chapter exposes how alewife poems and singlewomen's erotic songs stage models of peer education in which women teach their peers how to pursue pleasure, minimize risk, and negotiate for satisfaction. It explores English songs from the fifteenth and sixteenth centuries which enact common models of same-sex performative pedagogy. The chapter discusses these understudied lyrics and reveals a paramount focus on pleasure in women's sexual education even as they traffic in misogynist stereotypes of the “lusty maiden” — young, single, often lower-status — who is always ready for sex. In their emphasis on maidens' self-assured pursuit of pleasure, the chapter unveils how these lyrics contrast sharply with popular discourses that portray young women's erotic expression as engendering shame, regret, and self-inflicted social and spiritual ruin. Ultimately, the chapter shows how these lyrics represent same-sex peer pedagogy as having the potential to engender changes in sexual culture that are as necessary today as they were in the Middle Ages.
快乐教育学
这一章揭示了alewife的诗歌和单身女性的情歌是如何成为同伴教育的典范,在这种教育中,女性教她们的同伴如何追求快乐,将风险降到最低,并为满足而谈判。它探讨了15和16世纪的英语歌曲,这些歌曲制定了同性表演教学法的共同模式。这一章讨论了这些未被充分研究的歌词,并揭示了女性性教育中最重要的乐趣,即使他们在“精力充沛的少女”——年轻、单身、通常地位较低——的厌女刻板印象中进行交易。在强调少女对快乐的自信追求时,这一章揭示了这些歌词如何与流行的话语形成鲜明对比,这些话语将年轻女性的色情表达描绘为产生羞耻,遗憾和自我造成的社会和精神毁灭。最后,这一章展示了这些歌词是如何代表同性同伴教育的,它们有可能引起性文化的变化,这在今天和中世纪一样是必要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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