A Multicultural Tradition

T. D. Parry
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引用次数: 0

Abstract

The book’s introduction begins with a largely unknown vignette of two enslaved people “jumping the broom” in an elaborate ceremony, which the author specifically selected to portray the ritual’s complexity and rich symbolism. Following the analysis of this ceremony, the introduction engages a number of broader subjects explored in the book’s subsequent chapters. First, it questions why, despite its popularity among multiple groups throughout the Atlantic world, the broomstick wedding has not received adequate attention in previous literature. This requires an overview of researchers who have commented on the custom and why a more extensive history needs to be written. Second, it examines how certain traditions are lost to communities and how their descendants reimagine them to fit their contemporary needs. Essentially, the need to reinvent a ceremony crosses the various cultural groups who claim it. Finally, it provides an overview of the book’s trajectory, which is both thematic and chronological, showing how “culture” is conceptualized, reimagined, reinvented, and exchanged throughout time and space.
多元文化传统
这本书的引言以一个鲜为人知的小插曲开始,两个被奴役的人在一个精心设计的仪式上“跳过扫帚”,作者特意选择了这个小插曲来描绘仪式的复杂性和丰富的象征意义。在对这一仪式进行分析之后,引言涉及了本书后续章节中探讨的一些更广泛的主题。首先,它质疑为什么尽管扫帚婚礼在大西洋世界的许多群体中很受欢迎,但在以前的文献中却没有得到足够的关注。这需要对那些评论过这种习俗的研究人员进行概述,以及为什么需要撰写更广泛的历史。其次,它考察了某些传统是如何在社区中丢失的,以及它们的后代如何重新构想它们以适应当代的需求。从本质上讲,重塑仪式的需求跨越了主张它的各种文化群体。最后,它概述了本书的发展轨迹,既有主题又有时间顺序,展示了“文化”是如何在时间和空间中被概念化、重新想象、重新发明和交换的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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