Efforts on Developing Sustainable Production of Surakarta’s Tiga Negeri Batik from Handmade Technique to Cold Wax Technique.

A. N. Sulistyati, Theresia Widyastuti
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Abstract

A piece of batik cloth contains philosophical values, symbolic meanings, traces of events, ethnic identity, social stratification, spirituality, and records of the journey of civilization. Tiga Negeri batik is evidence of cultural assimilation and acculturation in Java. Tiga Negeri is the nickname for the three places from which batik is made from the process of designing, drawing (mbatik), and onto coloring. This batik, which is closely related to Chinese culture, originated in Lasem, then during its spread to Surakarta, the motifs and color schemes became richer due to the assimilation between coastal batik and inland batik, and thus it eventually became Tiga Negeri batik from Surakarta. However, recently this unique Surakarta’s Tiga Negeri batik is losing its prestige and requires revitalization efforts to sustain its sustainability.
从手工技术到冷蜡技术发展苏拉塔的Tiga Negeri蜡染可持续生产的努力。
一块蜡染布包含着哲学价值、象征意义、事件的痕迹、民族身份、社会阶层、灵性和文明历程的记录。Tiga Negeri蜡染是爪哇文化同化和文化适应的证据。Tiga Negeri是蜡染的三个地方的别名,从设计、绘画(蜡染)到着色。这种与中国文化密切相关的蜡染起源于Lasem,在传播到泗水的过程中,由于沿海蜡染和内陆蜡染的融合,图案和配色变得更加丰富,最终成为泗水的Tiga Negeri蜡染。然而,最近这个独特的苏拉塔的Tiga Negeri蜡染正在失去它的声望,需要振兴的努力来维持它的可持续性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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