{"title":"“Entering Chicago”","authors":"J. M. Davis","doi":"10.5406/j.ctv11cwb42.19","DOIUrl":null,"url":null,"abstract":"\n Editors’ Note: This prose poem appears as part of the introductory material in the first (1927) volume of Frederick H. H. Robb’s remarkable compilation, The Intercollegian Wonder Book or the Negro in Chicago 1779–1927. “Entering Chicago” is attributed there to “J. M. Davis,” but internal and external evidence convince us that this was in fact contributed by journalist and poet Frank Marshall Davis shortly after his arrival in Chicago from his native Kansas. As such, the piece marks the ongoing “migration of the talented tenth” to the Black Metropolis, highlights the ubiquity of the railroad train as icon of Chicago’s modern moment, evidences Davis’s early efforts in free verse influenced by Carl Sandburg and Fenton Johnson, and prefigures the documentary spirit that would animate the most memorable works by writers of the Black Chicago Renaissance....\n","PeriodicalId":439958,"journal":{"name":"Roots of the Black Chicago Renaissance","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roots of the Black Chicago Renaissance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/j.ctv11cwb42.19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Editors’ Note: This prose poem appears as part of the introductory material in the first (1927) volume of Frederick H. H. Robb’s remarkable compilation, The Intercollegian Wonder Book or the Negro in Chicago 1779–1927. “Entering Chicago” is attributed there to “J. M. Davis,” but internal and external evidence convince us that this was in fact contributed by journalist and poet Frank Marshall Davis shortly after his arrival in Chicago from his native Kansas. As such, the piece marks the ongoing “migration of the talented tenth” to the Black Metropolis, highlights the ubiquity of the railroad train as icon of Chicago’s modern moment, evidences Davis’s early efforts in free verse influenced by Carl Sandburg and Fenton Johnson, and prefigures the documentary spirit that would animate the most memorable works by writers of the Black Chicago Renaissance....
编者按:这首散文诗是弗雷德里克-H-H-罗伯(Frederick H. H. Robb)的杰出作品《芝加哥黑人奇书》(The Intercollegian Wonder Book or the Negro in Chicago 1779-1927)第一卷(1927 年)中介绍性材料的一部分。"进入芝加哥》的作者是 "J.M.戴维斯",但内部和外部证据都让我们相信,这实际上是记者兼诗人弗兰克-马歇尔-戴维斯从家乡堪萨斯抵达芝加哥后不久创作的。因此,这篇文章标志着 "十分之一的天才 "正在向黑人大都会迁移,突出了铁路列车作为芝加哥现代标志的无处不在,证明了戴维斯早期受卡尔-桑德堡和芬顿-约翰逊影响而创作的自由诗,并预示了芝加哥黑人文艺复兴时期作家最令人难忘的作品的纪实精神....。