Freedom as a Centralizing Motif in the Work of Henri Bergson

B. Macallan
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Abstract

Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed on intuition and duration as his seminal contributions. Bergson himself never thematized freedom in any specific way, but by working with a positive conception of freedom, as a creation of the new within the fiow of duration, freedom can be seen as a centralizing motif in his work. By clarifying the nature of freedom and its centrality, the ground can be cleared for a Bergsonian intervention into contemporary debates on freedom.
自由:柏格森作品中的中心主题
当代关于自由的辩论涉及形而上学、身心关系、进化、道德和宗教等问题。法国哲学家亨利·柏格森(Henri Bergson)终其一生都是从时间的角度来处理这些问题的,他认为将这些问题空间化会导致解决方案的不足。自由在他的作品中是一个集中的关注点,这可以从他在挑战决定论、唯物主义、机械论和终局论的方式中得到证明。柏格森的研究,尽管注意到自由对柏格森的重要性,但把重点放在直觉和持续时间上,作为他的开创性贡献。柏格森本人从未以任何特定的方式将自由主题化,但通过一种积极的自由概念,作为一种在持续时间流动中创造的新事物,自由可以被视为他作品中的一个中心主题。通过澄清自由的本质及其中心地位,可以为柏格森介入当代关于自由的辩论扫清障碍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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