{"title":"Visual music in a visual programming language","authors":"Fred L. Collopy, Robert M. Fuhrer, D. Jameson","doi":"10.1109/VL.1999.795882","DOIUrl":null,"url":null,"abstract":"Sonnet was designed as a visual language for implementing real-time processes. Early design and development of behavioral components has largely focused on the domain of music programming. However, Sonnet's architecture is well-suited to expressing many kinds of real-time activities. In particular, Sonnet is easily extended with new kinds of data types and behavioral components. We have developed a collection of visual output components for Sonnet, referred to collectively as Sonnet+Imager. Its design embodies aesthetically grounded representations of color, form and rhythm, as well as dynamics for each. Moreover, its value is enhanced by a flexible, modular architecture that treats these graphic entities and operations as first-class objects.","PeriodicalId":113128,"journal":{"name":"Proceedings 1999 IEEE Symposium on Visual Languages","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1999-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings 1999 IEEE Symposium on Visual Languages","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/VL.1999.795882","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 12
Abstract
Sonnet was designed as a visual language for implementing real-time processes. Early design and development of behavioral components has largely focused on the domain of music programming. However, Sonnet's architecture is well-suited to expressing many kinds of real-time activities. In particular, Sonnet is easily extended with new kinds of data types and behavioral components. We have developed a collection of visual output components for Sonnet, referred to collectively as Sonnet+Imager. Its design embodies aesthetically grounded representations of color, form and rhythm, as well as dynamics for each. Moreover, its value is enhanced by a flexible, modular architecture that treats these graphic entities and operations as first-class objects.