Prelude and Fugue, in Minors

Le-Anne Lim
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Abstract

The first thing you notice about the Shriner's Hospital for Children is the vast expanse of handicapped spaces in the parking area. It immediately imparts a sense of grim pragmatism to an edifice built upon the most optimistic of ideas-that children who need special medical care should be able to get it for free. The handicap signs form a single column stretching into the distance, a long chain of stern metal posts, a sturdy phalanx set to defend the choicest spots from the lucky ones who still enjoy a full range ofmotion. We park in the back of the lot. I was ten yeats old die fitst time I came to the hospital. Chicago was a wonderful oddity to me then, a schizophrenic metropolis. Chicago was the Latino quarter, where wholesalers gave us coffee and bagels and my dad bought exotic goods for our family grocery store. Or it was the alien mystique ofChinatown, with its beautifully strange architecture and herbal boutiques and pigs and ducks hanging in butcher's windows. Other times it was Michigan Avenue, bustling with fashion and movement, buildings taller dian God. It seemed as if the city was constantly disappearing and reappearing, a series of urban Brigadoons, each unaware of the existence of other Chicagos. It was any other city, as it would look shone dirough a prism, each component expanded and more than the sum of its parts, every hue distinct and luminous. The Shriner's Hospital was not a color I had seen before. I was accustomed to the conventional strangenesses of Chinatown or the wholesale district, but here was a thoroughly unimportant-looking building crawling with old men in peculiar hats. The red fez is a great symbol of the Ancient Arabic Order of the Nobles of the Mystic Shrine, distinguishing it from the other Masonic orders. It's considered a sign of nobility and philanthropy, proudly worn by members for over a hundred years. The Shriner's take their fez seriously. I, however, could not. Nothing in the entire history of secret playground clubs and special handshakes could rival the absurdity of these men wearing those
小调前奏曲与赋格
在Shriner儿童医院,你首先注意到的是停车场里广阔的残疾人停车位。它立即给这个建立在最乐观的想法上的大厦带来了一种冷酷的实用主义的感觉——需要特殊医疗照顾的孩子应该能够免费获得。残障标志形成了一根延伸到远处的柱子,一长串的船尾金属柱子,一个坚固的方阵,用来保护那些仍然享受全方位运动的幸运儿的最佳地点。我们把车停在停车场后面。我第一次来医院的时候才十岁。那时候,芝加哥对我来说是个奇特的地方,一个精神分裂的大都市。芝加哥是拉丁裔聚居区,那里的批发商给我们提供咖啡和百吉饼,我父亲为我们的家庭杂货店购买外国商品。或者是唐人街的外星神秘感,那里有美丽奇特的建筑、草药精品店和肉店橱窗里挂着的猪鸭。其他时候是密歇根大道,熙熙攘攘的时尚和运动,建筑物比上帝更高。似乎这个城市不断地消失和再现,一系列的城市旅,每一个都不知道其他芝加哥的存在。从棱镜里照出来,它和其他任何一个城市都不一样,每一个组成部分都扩大了,比各部分的总和还要大,每一种色调都清晰而明亮。圣地医院是我以前从未见过的颜色。我已经习惯了唐人街或批发区的传统陌生感,但这里是一栋看起来完全不重要的建筑,到处都是戴着奇怪帽子的老人。红色的非斯帽是古代阿拉伯贵族神秘神殿的一个重要标志,区别于其他共济会的命令。它被认为是贵族和慈善事业的标志,会员们自豪地佩戴了一百多年。神殿的人把他们的帽子当回事。然而,我不能。在整个秘密游乐场俱乐部和特殊握手的历史上,没有什么能比得上这些人戴着这些东西的荒谬
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