”the regular way of trade”: Between trade and speculation in Trollope’s The Way We Live Now, 1875 and Émile Zola’s L’Argent, 1891

J. Nielsen
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Abstract

This article applies a historical formalist method to analyze two literary responses to the late nineteenth-century financial sector in England and France: Anthony Trollope’s The Way We Live Now, 1875 and Émile Zola’s L’Argent, 1891. The central issue in both novels is the legal and conceptual boundary between traditional commerce and financial speculation, and the variety of ways in which established social forms and hierarchies are challenged by a rapid introduction of new forms of financial activity such as joint-stock corporations and limited liability. Both novels concern themselves with the contradictions inherent in the concept of trade and commerce in this transformed financial context, and devote critical attention to the ways in which these new forms collide in the individual lives and ambitions of its characters. Drawing on a recent theory of form by Caroline Levine, the article demonstrates how these literary representations of the accelerating financial sector should not simply be seen as reflections of an economic context in turmoil. Rather, the article argues that they apply the affordances of economic and financial forms in what is essentially an interpretative gesture, directed at the only partially visible and constantly changing reality of financial capitalism. 
“正常的贸易方式”:在特罗洛普的《我们现在的生活方式》(1875)和Émile左拉的《银线》(1891)中的贸易与投机之间
本文运用历史形式主义的方法来分析两种文学对19世纪晚期英国和法国金融部门的回应:安东尼·特罗洛普的《我们现在的生活方式》(1875年)和Émile左拉的《银根》(1891年)。这两部小说的中心问题是传统商业和金融投机之间的法律和概念界限,以及迅速引入的新形式的金融活动(如股份制公司和有限责任公司)对既定社会形式和等级制度的各种挑战。两部小说都关注了在这种金融环境下贸易和商业概念中固有的矛盾,并对这些新形式在个人生活和人物抱负中的碰撞方式给予了批判性的关注。本文借鉴了卡罗琳•莱文(Caroline Levine)最近提出的一种形式理论,论证了这些对金融部门加速发展的文学表现,不应简单地被视为动荡中的经济背景的反映。相反,这篇文章认为,他们应用经济和金融形式的能力,本质上是一种解释性的姿态,针对的是金融资本主义唯一部分可见和不断变化的现实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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