Archive Fevers

Albena Yaneva
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Abstract

This chapter reviews several developments in the social sciences and the arts that date back to the 1990s and motivated this study of archives as practice. It refers to Jacques Derrida and Paul Ricoeur as key protagonists that led to the rethinking of the role of archiving as a tool of memory. It also details the emergence of the trend of “archival ethnography,” which witnessed the advent of the archival turn in anthropology. The chapter elaborates how archival scholarship took an empirical turn in the mid-1990s, coinciding with the “archive fever” in the arts and the “archival turn” in anthropology that opened venues for investigating architectural archiving. It explores the realm of architectural practice wherein the computer radically changed working dynamics and led to the practice's own archival turn in the mid-1990s.
归档发烧
本章回顾了自20世纪90年代以来社会科学和艺术的若干发展,这些发展推动了档案研究的实践。它提到雅克·德里达和保罗·里科尔是导致重新思考档案作为记忆工具的角色的关键人物。并详细论述了“档案民族志”思潮的兴起,它见证了人类学的档案转向。这一章详细阐述了档案学术在20世纪90年代中期是如何经历了一个经验主义的转变,与艺术的“档案热”和人类学的“档案转向”相吻合,这为研究建筑档案开辟了场所。它探索了建筑实践领域,其中计算机从根本上改变了工作动态,并在20世纪90年代中期导致了实践自己的档案转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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