Chinese Aesthetics in Film and Television: A Case Study of Zhang Yimou and Jia Zhangke's Movies

Fengling Tang
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引用次数: 1

Abstract

Chinese films have undergone six generations of changes, and many popular works have made Chinese films go abroad and go global. In particular, the fifth generation of directors who shouldered the banner of China's contemporary film and the "new generation" of the sixth generation of directors in the film art reached the peak and made great contributions to the development of Chinese film. Due to the different circumstances of the times, the film aesthetics of the fifth and sixth generation directors in the works of art are very different. This article takes the fifth-generation director Zhang Yimou and the sixth-generation director Jia Zhangke as an example, combining the characteristics of the times, discussing the differences between the two directors in the narrative style, artistic image and film theme, analyzing the film and television aesthetics of the two directors, and expecting the future. The development and trend of China's film and television industry will give certain enlightenment.
影视中的中国美学——以张艺谋和贾樟柯电影为例
中国电影经历了六代的变迁,许多脍炙人口的作品让中国电影走出国门,走向世界。特别是扛起中国当代电影大旗的第五代导演和电影艺术的“新一代”第六代导演,达到了顶峰,为中国电影的发展做出了巨大贡献。由于时代环境的不同,第五代和第六代导演在艺术作品中的电影美学有很大的不同。本文以第五代导演张艺谋和第六代导演贾樟柯为例,结合时代特点,探讨两位导演在叙事风格、艺术形象和电影主题上的差异,分析两位导演的影视美学,并对未来进行展望。对中国影视产业的发展和趋势会有一定的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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