Postmodern Neo-Romanticism and The End of History in Margaret Atwood's MaddAddam Trilogy

C. Thorpe
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引用次数: 1

Abstract

Abstract:Margaret Atwood's MaddAddam trilogy addresses the end of history in three senses: the global triumph of capitalism, the end of historicity, and the end of the world. Atwood weaves together these meanings of the end of history, showing how the eternal present of consumerist simulacra is also a trajectory toward ecological and social disaster. However, Atwood's trilogy is itself symptomatic of this postmodern capitalist condition. Atwood accepts the social and political parameters of the capitalist present, while escaping into a neo-romantic fantasy of post-human primitivism.
玛格丽特·阿特伍德《疯狂亚当三部曲》中的后现代新浪漫主义与历史的终结
摘要:玛格丽特·阿特伍德的《疯狂亚当》三部曲从三个方面探讨了历史的终结:资本主义的全球胜利、历史性的终结和世界的终结。阿特伍德将这些历史终结的含义编织在一起,展示了消费主义拟像的永恒存在如何也是走向生态和社会灾难的轨迹。然而,阿特伍德的三部曲本身就是后现代资本主义状况的征兆。阿特伍德接受资本主义的社会和政治参数,同时逃避到一个后人类原始主义的新浪漫主义幻想中。
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