Yabancı Gözüyle İstanbul’un Sinemasal Mekanları: Casus Filmleri, Turistik Deneyim ve Politik Bakış

Sezen Kayhan, Ayşegül Kesirli Unur
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Abstract

As a connecting point between the Orient and the Occident, the Turkish metropolis of Istanbul has inspired foreign filmmakers for decades. Istanbul has served as a location mostly for blockbuster spy, suspense and action films such as Stamboul Quest (1934), Journey into the Fear (1943), 5 Fingers (1952), From Russia with Love (1963), The International (2009) and Skyfall (2012). This study intends to look at how foreign filmmakers create and use the image of the city, and how the depictions of the city have changed through time from the viewpoint of non-Turkish filmmakers. The chronological historical survey of the examined spy films illustrates that the depictions of the city frequently change according to the political and social climate of the times, reflecting the dominant ideological views of the international setting. This study suggests that instead of offering a genuine encounter with another culture these spy films promise the spectators a touristic experience using both Oriental and Westernised images that are also dependent on the political dynamics of the specific time periods.
作为东方和西方的连接点,土耳其的大都市伊斯坦布尔几十年来一直激励着外国电影人。伊斯坦布尔是间谍、悬疑和动作大片的拍摄地,如《伊斯坦布尔之旅》(1934)、《恐惧之旅》(1943)、《五指》(1952)、《来自俄罗斯的爱》(1963)、《国际》(2009)和《007:大破天幕杀机》(2012)。本研究旨在从非土耳其电影人的角度,探讨外国电影人如何创造和使用城市形象,以及对城市的描绘如何随着时间的推移而变化。对间谍电影的时间顺序历史调查表明,对城市的描绘经常根据时代的政治和社会气候而变化,反映了国际背景下的主流意识形态观点。这项研究表明,这些间谍电影并没有提供与另一种文化的真正接触,而是用东方和西方的形象向观众承诺了一种旅游体验,这些形象也依赖于特定时期的政治动态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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