‘Everyone is always learning’: Case study of a Suzuki-inspired preschool

K. Hendricks, M. Bucci
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引用次数: 1

Abstract

The Suzuki violin method was originally envisioned as a universal approach to talent education, applicable to any field. Currently, however, the approach is limited primarily to music learning settings, with only a few exceptions in general education. The purpose of this study was to observe the activities and teacher–child interactions in one preschool in which the Suzuki philosophy was implemented for general education in a holistic manner. We further considered how the co-equal integration of music with other educational content might be applicable in formal early childhood learning settings. Data collection included (1) observations of lessons and social interactions between students, teachers and administrators; (2) interviews with administrators and teachers and (3) review of preschool-related artefacts. We coded and analysed data according to five tenets of the Suzuki approach (i.e. every child can learn, group-based instruction, parent involvement, sensitive listening, prioritizing personal character over ability). Findings highlight specific ways in which teachers and administrators interpreted and adhered to these tenets in music and general education contexts, as well as potential areas for improvement and expansion. An emergent theme, ‘everyone is always learning’, encompassed the five tenets holistically, while also representing a general disposition among administrators and teachers to engage in preschool activities with a collective sense of gratitude and wonderment. This theme evokes the possibility of further research into the ways in which Suzuki teachers act as compassionate co-learners.
“每个人都在学习”:铃木学前班的案例研究
铃木小提琴法最初被设想为一种通用的人才教育方法,适用于任何领域。然而,目前这种方法主要局限于音乐学习环境,在普通教育中只有少数例外。本研究的目的是观察一所以整体方式实施铃木哲学通识教育的幼儿园的活动和师生互动。我们进一步考虑了音乐与其他教育内容的平等整合如何适用于正式的幼儿学习环境。数据收集包括:(1)课堂观察和学生、教师和管理者之间的社会互动;(2)对管理人员和教师进行访谈;(3)对与学前教育有关的人工制品进行审查。我们根据铃木教学法的五项原则(即每个孩子都能学习、以团体为基础的教学、父母参与、敏感的倾听、个人性格优先于能力)对数据进行编码和分析。研究结果强调了教师和管理人员在音乐和普通教育背景下解释和坚持这些原则的具体方式,以及改进和扩展的潜在领域。一个新兴的主题,“每个人都在学习”,全面地包含了这五项原则,同时也代表了管理者和教师的一般倾向,即带着集体的感激和惊奇感参与学前活动。这个主题唤起了进一步研究铃木老师作为富有同情心的共同学习者的方式的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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