Televisa Born and Raised: Lucerito’s Stardom in 1980s Mexican Media

Olivia Cosentino
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引用次数: 7

Abstract

Lucerito is undoubtedly the most iconic female youth star from 1980s Mexico, yet she and her films are absent from every strand of Mexican media history. This article offers a new approach to 1980s Mexican cinema that focuses on the business behind commercial cinema and youth stardom. Lucerito’s multiplatform career is intertwined with the development of Mexican media giant Televisa; through strategic cross-promotion, as well as horizontal and vertical integration, the conglomerate created a foolproof formula completely dependent upon youth stars like Lucerito to draw audiences to theaters for the cinematic productions I call “Televisa youth star films.” To better understand Lucerito’s fame and her place in the Mexican imagination, the second prong of this article reconstructs her star image in extradiegetic texts surrounding the films Coqueta (1985), Fiebre de amor (1986), Delincuente (1986), and Escápate conmigo (1988). Relatable and ideal, chaste, yet safely sexy, Lucerito was part of a conservative project of girlhood that reveals larger overlapping interests between distinct religious, state, and private entities in Mexico.
出生和成长:Lucerito在20世纪80年代墨西哥媒体的明星地位
Lucerito无疑是20世纪80年代墨西哥最具代表性的女青年明星,但她和她的电影却缺席了墨西哥媒体历史的每一条线索。这篇文章提供了一种新的方法来研究20世纪80年代的墨西哥电影,主要关注商业电影和青年明星背后的商业。Lucerito的多平台职业生涯与墨西哥媒体巨头Televisa的发展交织在一起;通过战略性的交叉推广,以及横向和纵向的整合,这家企业集团创造了一种万无一掷的模式,完全依靠卢塞里托这样的青年明星来吸引观众到影院观看我称之为“Televisa青年明星电影”的电影作品。为了更好地理解Lucerito的名声和她在墨西哥人想象中的地位,本文的第二部分在围绕电影《Coqueta》(1985)、《爱的纤维》(1986)、《Delincuente》(1986)和《Escápate conmigo》(1988)的超叙事文本中重建了她的明星形象。Lucerito是一个保守的少女时代的一部分,它揭示了墨西哥不同宗教、国家和私人实体之间更大的重叠利益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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