Triumphant Lives

Eric R. Varner
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Abstract

This chapter explores the portraits, statues, and triumphal arches in Imperial Rome. Rome’s growing military and political ascendance throughout the Mediterranean during the third and second centuries bc coincided with significant artistic developments in the realm of portraiture and historical documentation in the visual arts. The visual landscape of the city was densely packed with statues in gold, silver, bronze, and marble, vast numbers of which were portraits honouring the men and women of Rome for their lifetime achievements. In addition, the statuary population included images which surmounted the numerous triumphal arches positioned throughout the city. Portraits formed the artistic analogue of written biographies, encomia, and panegyrics, as did the historical and allegorical narrative reliefs that often adorned triumphal arches.
得胜的生活
本章探讨了罗马帝国的肖像、雕像和凯旋门。公元前3世纪和2世纪,罗马在整个地中海地区日益增长的军事和政治优势,与此同时,在肖像和视觉艺术的历史文献领域也出现了重大的艺术发展。城市的视觉景观中密密地布满了金、银、铜和大理石的雕像,其中大部分是纪念罗马男人和女人一生成就的肖像。此外,这些雕像还包括遍布全城的众多凯旋门上的图像。肖像形成了书面传记、赞美诗和颂词的艺术类比,就像经常装饰凯旋门的历史和寓言叙事浮雕一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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