A Question of Taste

Abstract

Chapter 3 explores the Bolshoi Ballet’s 1962 tour of the United States, which took place during the Cuban Missile Crisis. In the wake of the crisis, President Kennedy and his family staged numerous public meetings with the Bolshoi dancers to soothe the mounting political tensions. In the critical reception of the Bolshoi, however, a less conciliatory strain emerged. American critics understood the Soviet works through the lens of taste, a framework related to domestic struggles about the positioning of ballet in an aesthetic and class hierarchy. They disparagingly compared the Bolshoi’s new production of Spartacus to Hollywood epic films. These concerns were in turn related to a desire to foster the United States’ status as an emerging ideological empire.