Mapping the journey: A study of maturing femininity in Alice Munro’s Lives of Girls and Women

Mahsa Sadat Razavi, Maryam Soltan Beyad
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Abstract

Opposed to the anxiety of influence supposedly suffered by male writers with regard to their predecessors, Gilbert and Gubar (2000) propounded the concept of anxiety of authorship to hold true for female writers. According to this theory, women joined in a sorority with their literary foremothers in their efforts to prove their worthiness in taking up the male vocation of writing. In Alice Munro’s short story collection Lives of Girls and Women, the mother is ever-present in her daughter’s mind, and their relationship is instrumental in her maturation as a woman and a writer. In this paper, the relationship between the two women is explained in terms of some of the notions put forth in Gilbert and Gubar’s The Madwoman in the Attic, namely the angel/monster dichotomy, the anxiety of authorship, female double consciousness, infection in the sentence, and the parable of the cave. Using these concepts, it is aimed to show that although these notions were proposed as a model for 19th century woman writers, the modern-day Del is yet to come to terms with the anxiety of authorship and its accompanying problems.
绘制旅程:对爱丽丝·门罗《女孩和女人的生活》中成熟女性气质的研究
Gilbert和Gubar(2000)提出了作者焦虑的概念,这一概念适用于女性作家,而不是男性作家对其前辈的影响所产生的焦虑。根据这一理论,女性加入她们的文学祖先的姐妹会,努力证明她们在从事男性写作职业方面的价值。在爱丽丝·门罗的短篇小说集《女孩和女人的生活》中,母亲一直存在于女儿的脑海中,她们的关系对她作为一个女人和作家的成熟起到了重要作用。本文从吉尔伯特和古巴尔的《阁楼上的疯女人》中提出的天使/怪物的二分法、作者身份的焦虑、女性的双重意识、句子的感染、洞穴的寓言等概念来解释这两个女人之间的关系。通过这些概念,本文旨在表明,尽管这些概念是作为19世纪女作家的典范而提出的,但现代的德尔尚未接受作者身份的焦虑及其伴随的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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