The Adolescent as Sentimental Education

Olga А. Meerson
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引用次数: 0

Abstract

This article dwells on my earlier method, of mining discursive taboos, specific for each novel by Dostoevsky, for the key values made prominent in these novels. More than the original chapter in my 1998 book, Dostoevsky’s Taboos, the article applies this method to the specific poetics of The Adolescent as Bildungsroman. As Arkady, the character, and then, eventually, the narrator, learns about his own faux pas about violating others’ taboos, he also learns about values entailed by these taboos. He becomes less selfish and more sensitive to the reality of other people and their pain and sore spots. As readers, we learn about compassion and a certain imperative system of values, together with this character, just as these newly unmentionable values emerge or transpire for him. Rather than being told about the “before and after” of the character, we are implicated in his transformation, learning his lessons together with him and never having any moral immunity from his faults or any opportunity to judge him from above.
作为情感教育的青少年
这篇文章详述了我之前的方法,挖掘话语禁忌,具体到陀思妥耶夫斯基的每一部小说,在这些小说中突出的关键价值。与我1998年出版的《陀思妥耶夫斯基的禁忌》一书的原始章节不同,本文将这种方法应用于作为成长小说的《青春期》的具体诗学。当主人公阿卡迪,以及最终的叙述者,了解到自己违反他人禁忌的失礼时,他也了解了这些禁忌所带来的价值观。他变得不那么自私,对别人的现实和他们的痛苦和痛处更加敏感。作为读者,我们从这个角色身上了解到同情心和某种必要的价值观体系,就像这些新的难以启齿的价值观在他身上出现或消失一样。我们不是被告知人物的“前后”,而是被牵连到他的转变中,与他一起学习他的教训,从来没有任何道德上的豁免权,也没有任何机会从上面判断他。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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