Brazilian Modernism and Cultural Criticism

Valter Sinder, Paulo Jorge Ribeiro
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Abstract

The purpose of this paper is to disclose some issues of Brazilian Modernism (in the 1920’s) and to discuss how the leading exponents of this movement attempted to shape a new and authentic way of evaluating the Brazilian national project, showing their views on cultural criticism as a whole. This paper is also an attempt to understand how contemporary criticism re-evaluates this aesthetic and critical project. The late 1970`s and early 1980`s can be seen as fundamental to all the changes in scenarios, images and discourses that took place in Brazil. These changes were not limited to the composition of pragmatic, academic and disciplinary scenarios, but there was an attempt to bring about changes in the face of Brazil. The new agenda of civil society began to be redefined and the relations between public and private worlds were in the spotlight again. The end of the authoritarian military rule was not only a rupture with the current institutional pattern, but it altered deeply the way of thinking about the country.
巴西现代主义和文化批评
本文的目的是揭示巴西现代主义(在20世纪20年代)的一些问题,并讨论这一运动的主要倡导者如何试图塑造一种新的、真实的方式来评估巴西国家项目,展示他们对文化批评的整体看法。本文也试图理解当代批评是如何重新评价这一美学和批评工程的。20世纪70年代末和80年代初可以被看作是发生在巴西的所有场景、形象和话语变化的基础。这些变化并不局限于实际情况、学术和纪律情况的构成,而是试图改变巴西的面貌。公民社会的新议程开始被重新定义,公共和私人世界之间的关系再次成为人们关注的焦点。军事独裁统治的结束不仅是与现行制度模式的决裂,而且深刻地改变了对这个国家的思考方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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