VISUALIZATION OF CULTURE: EDUCATIONAL IMPLICATIONS

A. A. Polonnikov, N. D. Korchalova, Dmitriy Yuryevich Korol
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引用次数: 2

Abstract

The authors of the article focus on changes related to education. Education is considered as a communicative construct arising from the process of symbolic interaction between individuals who establish meanings when coordinating their statements. The communicative generation of situations and orders of knowledge is interpreted as educational semiosis. Analyzed is the discourse of modern humanities which are competing with each other in determining the current socio-cultural situation. Highlighted is the research tendency, asserting the point of changing the cultural morphogenesis by means of its visualization processes. Based on this, the hypothesis of a gap between culture and education is put forward. According to this hypothesis, cultural relations are increasingly mediated by figurative participation, while educational practices appeal to verbal and textual forms of the situational mediation. Within the relations between actors in education, this is reflected in the dominance of legitimate (metanarrative) samples, the transmission model of educational knowledge, the communicative preference for orderliness, the desire for unambiguity, the clarity and completeness of logocentric forms of thinking, and so on. The change of the mediation form in the organization of educational interaction and the transition from the verbocentric order to the ocular-centric one, is suggested as a step in the development of modern education. It must affect the way educational relations (educational communication) function, the way words (speech) and images (vision) are inter-related, the principles of students’ orientation in their attitudes to the sign-symbolic world, their partners in interaction, and to themselves. In the first case, the point is to organize educational communication based on the principles of paradoxicality, paralogicality, and disproportionality of statements and images of the situation. Here the most important educational objective is to make the participants of the educational interaction consider their differences in their interpretations of the world, their styles of utterance, and their discursive positioning. In the second case, the educational objective is the liberalization of vision, which emerges in the course of perceptual work emancipated from the primary procedures of interpretation and comprehension of the visible and relying on the action of the image as the context of the statement. The third case is about worldview constants, radical changes in the position of the educational subject, acquiring the experience of self-detachment in learning. In the final analysis, this provides an opportunity for differentiation and diversification of the worlds of human presence.
文化的形象化:教育意义
这篇文章的作者关注的是与教育相关的变化。教育被认为是一种交际结构,产生于个体之间的符号互动过程,个体在协调他们的陈述时建立意义。情境和知识秩序的交流生成被解释为教育符号学。分析了在决定当前社会文化状况中相互竞争的现代人文话语。重点是研究趋势,主张通过可视化过程改变文化形态发生的观点。在此基础上,提出了文化与教育差距假说。根据这一假设,文化关系越来越多地通过比喻参与调解,而教育实践则诉诸于情境调解的言语和文本形式。在教育行为者之间的关系中,这反映在合法(元叙事)样本的主导地位、教育知识的传播模式、对有序的交际偏好、对明确的渴望、以逻辑为中心的思维形式的清晰和完整等方面。教育互动组织中中介形式的变化,从以语为中心的秩序向以眼为中心的秩序转变,是现代教育发展的一个重要步骤。它必然影响到教育关系(教育传播)的作用方式,影响到文字(言语)和图像(视觉)的相互关联方式,影响到学生对符号-符号世界的态度取向原则,影响到学生对互动伙伴的态度取向原则,影响到学生对自己的态度取向原则。在第一种情况下,重点是根据情境的陈述和图像的悖论性、谬误性和不相称性原则来组织教育交流。在这里,最重要的教育目标是使教育互动的参与者考虑到他们对世界的解释、他们的话语风格和他们的话语定位的差异。在第二种情况下,教育目标是视觉的自由化,它出现在感性工作的过程中,从对可见的解释和理解的主要程序中解放出来,依靠图像的行动作为陈述的语境。第三种情况是关于世界观的不变,教育主体地位的彻底改变,在学习中获得自我超脱的体验。归根结底,这为人类存在的世界提供了差异化和多样化的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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