Alçar os Santos dos Calabouços: Um Museu para a Liberdade

Luz Stella Rodríguez Cáceres
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Abstract

Two collections of Afro-Brazilian religious objects that were confiscated by the police between 1891 and the first decades of the 20th century are the subject of reflection in this article. Studying the paths of these collections, the various values of meaning attributed to them were mapped, which, far from being permanent, are also not mutually exclusive. I propose to discuss the symbolic processes and institutional arrangements that have been activated throughout their trajectories. In this endeavor, these collections can be analyzed in two dimensions: On the one hand, as a subjective, affective, and cosmological reality; and on the other hand, as objects of political struggle in the public sphere of a socially organized collective. Both collections have similar origens and their common denominator is the requirement of the people involved that 1 Universidade Estadual do Rio de Janeiro, Instituto de Ciências Sociais, Programa de Pós-Graduação em Ciências Sociais. (PPCIS/UERJ, Rio de Janeiro, RJ, Brasil). ORCID: https://orcid.org/0000-0002-9452-3907.
提升地下城圣徒:自由博物馆
本文以1891年至20世纪头几十年间被警方没收的两件非裔巴西宗教物品为主题。通过研究这些藏品的路径,绘制了赋予它们的各种意义价值,这些价值远不是永久的,也不是相互排斥的。我建议讨论在其整个轨迹中被激活的象征过程和制度安排。在这一努力中,这些收藏可以从两个维度进行分析:一方面,作为主观的、情感的和宇宙的现实;另一方面,在社会组织集体的公共领域中,作为政治斗争的对象。这两个项目有着相似的起源,它们的共同点是参与者的要求:1 universsidade Estadual do里约热内卢de Janeiro, Instituto de Ciências Sociais, Programa de Pós-Graduação em Ciências Sociais。(PPCIS/UERJ,巴西里约热内卢,巴西)。ORCID: https://orcid.org/0000 - 0002 - 9452 - 3907。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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