Handwriting Is History

Anne Trubek
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Abstract

If we define writing as a system of marks to record information (and discount petroglyphs, say), handwriting has been around for just 6,000 of humanity's some 200,000 years. Its effects have been enormous, of course: It alters the brain, changes with civilizations, cultures and factions, and plays a role in religious and political battles. Throughout the even smaller slice of time that is American history, handwriting has reflected national aspirations. The comments posted on my article about handwriting were teeming with moralism. ("I'm sorry, but when I see messy handwriting it tells me something about the person; maybe carelessness? Impatience? ... Penmanship is everything. ... Good penmanship shows the world we are civilized.") One might consider handwriting as a technology — a way to make letters — and conclude that the way of making them is of little moment. But handwriting is bound up with a host of associations and connotations that propel it beyond simply a fine-motor skill. We connect it to personal identity (handwriting signals something unique about each of us), intelligence (good handwriting reflects good thinking) and virtue (a civilized culture requires handwriting).
书写是历史
如果我们把书写定义为一种记录信息的标记系统(比如,不考虑岩画),那么在人类大约20万年的历史中,书写的历史只有6000年。当然,它的影响是巨大的:它改变了大脑,随着文明、文化和派系的变化而变化,并在宗教和政治斗争中发挥作用。在美国历史上更短的一段时间里,笔迹反映了国家的愿望。我那篇关于笔迹的文章下的评论充满了道德说教。(“很抱歉,但当我看到凌乱的笔迹时,它能告诉我这个人的一些情况;也许粗心大意?不耐烦?…书法就是一切. ...好的书法向世界展示了我们是文明的。”)有人可能会把书法看作一种技术——一种书写的方式——并得出这样的结论:书写的方式无关紧要。但是,书写与许多联想和内涵联系在一起,这使得它不仅仅是一种精细的运动技能。我们把它与个人身份(书写标志着我们每个人独特的东西)、智力(好的书写反映了好的思考)和美德(文明的文化需要书写)联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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