Women’s Rebellion to Find Voices in Enola Holmes

Aulia Anggraini, Pratiwi Retnaningdya
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Abstract

Directed by Harry Bradbeer, Enola Holmes (2020) portrays a 16-year-old girl who searches for her mother who disappeared while fighting for women’s rights to vote. In this movie, Victorian women are bound by a law that forbids them from having the right to vote. This article aims to identify and describe women’s rebellion in their struggle for voices in the Victorian era.  Employing Bartlett's rebellious feminism within a feminist perspective of John Stuart Mill, the article analyses how Eudoria Holmes, a female character, undergoes dangerous ways in attempt to fight for women's rights to vote.  Using the script and cinematographical elements, the film analysis reveals that Eudoria Holmes rebels against the values of Victorian society on three levels: individual, familial, and societal. Becoming an independent and courageous mother, she plants the seeds of rebellion to her daughter, Enola Holmes. Moreover, Eudoria also establishes a secretive women’s circle to build solidarity with the purposes of social and political activism in the form of women's suffrage campaigns.
《女性反抗:在埃诺拉·霍姆斯身上寻找声音
由哈里·布拉德比尔执导的《伊诺拉·霍姆斯》(2020)讲述了一个16岁的女孩寻找在争取妇女投票权时失踪的母亲的故事。在这部电影中,维多利亚时代的女性受到法律的约束,禁止她们拥有投票权。本文旨在识别和描述维多利亚时代女性在争取话语权的斗争中的反叛。本文从约翰·斯图亚特·密尔的女权主义视角出发,运用巴特利特的反叛女权主义思想,分析了尤多利亚·霍尔姆斯这一女性角色为争取女性选举权所经历的危险历程。利用剧本和电影元素,电影分析揭示了尤多利亚·福尔摩斯在三个层面上对维多利亚社会价值观的反叛:个人,家庭和社会。成为一个独立而勇敢的母亲,她给女儿埃诺拉·霍姆斯种下了叛逆的种子。此外,尤多利亚还建立了一个秘密的妇女圈子,以妇女选举权运动的形式建立社会和政治活动目的的团结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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